by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: June 5, 2018
Backman plays the story for both cynicism and hope, and his skill makes both hard, but not impossible, to resist.
Shockwaves from the incidents in Beartown (2017) shake an economically depressed hockey town in this latest from the author of A Man Called Ove.
Swedish novelist Backman loves an aphorism and is very good at them; evident in all his novels is an apparent ability to state a truth about humanity with breathtaking elegance. Often, he uses this same elegance to slyly misdirect his readers. Sometimes he overreaches and words that sound pretty together don’t hold up to scrutiny. This novel has a plethora of all three. Grim in tone, it features an overstocked cast of characters, all of whom are struggling for self-definition. Each has previously been shaped by the local hockey club, but that club is now being defunded and resources reallocated to the club of a rival town. Some Beartown athletes follow, some don’t. Lines are drawn in the sand. Several characters get played by a Machiavellian local politician who gets the club reinstated. Nearly all make poor decisions, rolling the town closer and closer to tragedy. Backman wants readers to know that things are complicated. Sure, many of Beartown’s residents are bigots and bullies. But some are generous and selfless. Actually, the bigots and bullies are also generous and selfless, in certain circumstances. And Lord knows they’ve all had a rough time of it. The important thing to remember is that hockey is pure. Except when it inspires violence. This is an interesting tactic for a novel in our cultural moment of sensitivity, and it can feel cumbersome. “When guys are scared of the dark they’re scared of ghosts and monsters,” he writes. “But when girls are scared of the dark they’re scared of guys.” Margaret Atwood said it better and with more authority decades ago.
Backman plays the story for both cynicism and hope, and his skill makes both hard, but not impossible, to resist.Pub Date: June 5, 2018
ISBN: 978-1-5011-6079-0
Page Count: 336
Publisher: Atria
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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