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PORTRAIT OF THE MOTHER AS A YOUNG WOMAN

An intriguing blend of travelogue and love letter.

A German woman living in Rome during World War II falls under the spell of the Eternal City.

Over the course of one afternoon, the heavily pregnant young narrator of this stream-of-consciousness novella takes a long walk though the streets of Rome en route to a Bach concert at a protestant church. But while that is all that actually happens, her thoughts wander freely, touching often on her absent husband, Gert, a soldier stationed in North Africa. Suffering from a chronic but not life-threatening leg wound acquired in Russia, Gert had hoped to be stationed in Rome as a minister. But in 1943, with the Germans losing the war, he is redeployed to Tunis. His bride remains in Italy, sharing a room with another girl named Ilse in a mission run by German nuns. Pious and naïve, she counts herself blessed to be wintering in the Italian sun while so many are struggling, and fixates on the timeless (and un-German) beauty and sensuality of Rome. And while she finds the vestiges of its pagan culture mildly disturbing, she nonetheless looks forward to the days when she and her husband can enjoy “Roman delights.” The specific horrors of the war figure little in her thoughts, other than a vague recognition that the Führer who "places himself above God” should not be obeyed blindly. She’s a good girl, with her many opinions shaped by the men in her life. But apart from her personal fears, this notably healthy mother-to-be has an unshakeable faith in her and her baby’s future—come what may. Written as one long sentence broken up by indentations, this slender volume has a dreamlike quality and an unapologetically autobiographical theme. Delius (The Pears of Ribbeck, 1991) was born in Rome in 1943, the son of a German pastor.

An intriguing blend of travelogue and love letter.

Pub Date: Jan. 31, 2012

ISBN: 978-0-374-53329-8

Page Count: 128

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 3, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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