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MAKING MAVERICKS

Name: MAKING MAVERICKS
Author: Frosty Hesson
ISBN: 978-1-939126-00-9

by Frosty Hesson with Ian Spiegelman ‧ RELEASE DATE: Oct. 10, 2012

Hesson ably captures the enchantment and inherent dangers of surfing in this distinctive memoir.

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A companion piece to the movie about surfing legend Rick “Frosty” Hesson’s life.

Hesson’s fearless love of water developed early in 1950s San Francisco; he loved the “motion and speed” of the ocean and the fact that “it was alive.” Tempering this exhilaration was life with a mother plagued by chronic digestive maladies and a frustrated, hard-drinking father overburdened with family financial responsibilities. As a teenager, Hesson expressed an interest in surfing, and soon, prefab board at his side, he began a trial-and-error ocean education at the beach and at school swim meets with a dedicated coach. Adulthood brought increased familial responsibilities and varied roadblocks as he flunked out of college, narrowly avoided the draft, processed his mother’s heart-wrenching suicide and rushed into marriage. At 26, “Frosty” (nicknamed for his whitish blond hair) revisited the surf at Hawaii’s Waimea Bay and, eventually, returned to Northern California’s Half Moon Bay, where the nation’s pro surfers often stay in the winter to be close to the notoriously mammoth “Mavericks” wave swells. Hesson enthusiastically describes his experiences riding the “Mavs” and his intensive mentorship with burgeoning surfer Jay Moriarity, a relationship that began when the boy, a quick learner, was 12. This pairing of wise experience with eager novice dominates the final third of the author’s autobiography. After years of Hesson’s mindful tutelage, Moriarity, at 16, fearlessly braved the risky Mavericks and emerged as prime sports-media fodder. Sadly, his time with the boy ended tragically when Moriarity drowned while free diving. Throughout, the author comes across as a decent man with great wisdom and compassion.

Hesson ably captures the enchantment and inherent dangers of surfing in this distinctive memoir.

Pub Date: Oct. 10, 2012

ISBN: 978-1-939126-00-9

Page Count: 300

Publisher: Zola Books

Review Posted Online: Sept. 26, 2012

Kirkus Reviews Issue: Oct. 15, 2012

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.