Readers definitely won’t be hungry an hour after finishing this satisfying history from a witty Chinese food authority.
Freelance scribe, almost-professional chef, restaurant consultant and ardent Sinophile Dunlop ensures that you’ll never again look at General Tso or his chicken in the same way.
In this, her first non-cookbook, she examines the entire spectrum of Chinese food culture, from the mystery of MSG to the melding of food and politics to Chinese culinary schools. As was the case with Trevor Corson’s terrific Japanese food treatise The Zen of Fish: The Story of Sushi, From Samurai to Supermarket (2007), Dunlop successfully inserts herself into the narrative, discussing her methodology, her feelings and theories about China and, periodically, her love life. She’s so slick about it that the technique enhances rather than detracts from her episodic story line. In a clever gimmick, each chapter concludes with a recipe, a menu, a glossary or some other sort of culinary tidbit; the recipe for Mu gua dun ji, chicken and papaya soup, looks particularly tasty. It’s become trendy, if not tired, for a food writer or television personality to eat a seemingly repulsive dish, then rave about how shocked they were at its yumminess. Dunlop periodically takes this approach—for example, her encounters with caterpillar and with snake stir-fry—and while she doesn’t add anything new to the formula, her enthusiasm and linguistic dexterity keep it engaging. That’s the case throughout this charming, informative textbook/memoir/travelogue, one of the more noteworthy recent food studies.
Readers definitely won’t be hungry an hour after finishing this satisfying history from a witty Chinese food authority.Pub Date: April 1, 2008
ISBN: 978-0-393-06657-9
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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