A brisk, if occasionally uneven, yarn that will still appeal to old and young space-action fans.
A courier takes on more than she bargained for when she accepts a gig transporting an alien relic through hostile space in Matiasz’s SF novel.
In a spacegoing future, earthlings are regarded by various alien species as violent, verminous upstarts whose greed ruined their home world and botched attempts to terraform Mars and Venus. Many feel that Homo sapiens, or “Gaians,” as they’re known, have no right to be zooming among the stars; nonetheless, many Gaians work throughout the galaxy as mercenaries and criminals. Stacey Jones, a Gaian, grew up in a Mars colony and self-identifies as a proud, socialist Martian, but despite her politics, her services as a transport-courier are still for sale. Desperate for cash, she takes a seemingly easy assignment to ferry an ancient artifact to Kapala, a planet maintained as a sort of shrine to the mysterious Progenitor civilization, which seeded life throughout the cosmos. The cuplike item, called a “sangrael,” turns out to be an archetypal relic that’s featured in numerous Terran legends, including that of the Holy Grail, but its curator—the mysterious part-cyborg Medea—assures Stacey that the object is harmless on its own. However, heavily armed attackers from all over known space (including other Gaians) soon converge on the tiny expedition. What kind of task has she really taken on? Matiasz delivers a flighty space-opera adventure in a compact package that has the feel of a teen-oriented chapter book or comic-book tale—a feeling that’s further cemented by the inclusion of Hunt’s flavorful black-and-white illustrations. It offers shoutouts to such SF pioneers as Larry Niven, Olaf Stapledon, and even Edgar Rice Burroughs. The text, narrated by the determined Stacey, packs a lot of information into a small space—it’s a virtual singularity, one might say—but it doesn’t stop it from snapping into action-packed fight scenes in the blink of an eye. There’s not a lot of character development, though, and an asteroid-field of subplots remains in orbit at the end.
A brisk, if occasionally uneven, yarn that will still appeal to old and young space-action fans.Pub Date: N/A
ISBN: N/A
Page Count: 81
Publisher: 62 Mile Press
Review Posted Online: Jan. 15, 2022
Kirkus Reviews Issue: March 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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