by G. Wayne Miller ‧ RELEASE DATE: Nov. 3, 2015
A must for car lovers and plenty of interesting material to keep other curious readers flipping pages.
A chronicle of the frantic, ultracompetitive, and heroic early days of automobile manufacturing.
The turn of the 20th century witnessed some of the most profound technological advances in human history. Chief among them was the development of the automobile as a mass-produced consumer product. Beginning with the first commercial enterprise founded by brothers Charles and J. Frank Duryea in Springfield, Massachusetts, in 1893, Americans quickly grew infatuated, skeptical, and outright hostile to this novel contraption. In his buoyant and charming narrative, Miller (Drowned: A Different Kind of Zombie Tale, 2015, etc.) sets the foundation for the American century by charting the intense competition, rivalries, successes, and failures of the early automotive industry. The author profiles many of the titans and personalities of the era such as Henry Ford, Oldsmobile founder Ransom Olds and his famed Curved Dash, General Motors creator William C. Durant, driver Barney Oldfield, and others. Aside from the industrial upheaval caused by auto manufacturing, Miller also highlights the drastic social changes it caused. Catering to young adventurers and the wealthy elite, mostly from urban centers, the automobile inspired enthusiast groups like the League of American Wheelmen all across the country. Not all reactions were positive. Rural communities, dependent on horses, viewed the new mode of transportation as a direct affront to their way of life and threatened to sabotage cross-country racers passing through their towns. From cottage industry to mass-production assembly lines, the development of the automobile represents a quintessentially American story of industrial capitalism and the fiercely driven personalities that carved their fortunes and legacies out of seemingly nothing. Capturing the energy and ambition of a time when optimism in the American spirit was unparalleled, Miller also shows that despite the car’s profound effect on American culture, it was not the modern panacea some predicted.
A must for car lovers and plenty of interesting material to keep other curious readers flipping pages.Pub Date: Nov. 3, 2015
ISBN: 978-1-61039-551-9
Page Count: 352
Publisher: PublicAffairs
Review Posted Online: Sept. 2, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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