Enlightening cultural description and analysis blends somewhat awkwardly with self-regard.
Debut memoir chronicles Wilson’s conversion to Islam and negotiation of Egyptian society.
The author, who has published essays on religion and the Middle East in the New York Times Magazine and the Atlantic Monthly, begins with a trip to Iran in 2004, noting that she was a Sunni living in Egypt. She then flashes back to her sophomore year at Boston University, where she suffered from kidney troubles and was hospitalized. Her medical trauma caused her to reconsider her religious views. “As a child,” she writes, “I had precognitive dreams about mundane events like the deaths of pets, and I could not remember a time when I was not in love with whatever sat behind this world.” Feeling unfulfilled by atheism, she began to study Arabic and Islam around the time of 9/11. She tried to read The Satanic Verses but found it “dense and unpalatable.” Urged by dreams of a white horse and some Tarot cards, she headed to Cairo in 2003 with a friend, met dreamy Omar at a language school, fell in love, “came out” as a Muslim, met his family, married him, began functioning as an Egyptian woman and discovered that she loved the balance in her life between her myriad uxorial duties and her journalism. She defends some aspects of the paternalism of the culture and records how she struggled to learn the complex cultural choreography her new life demanded, and how ugly Americans in Cairo’s markets horrified her. Her parents and American friends endeavored to understand, but as Egypt veered ever more conservative, she and Omar considered a move to the United States. Several times the author quotes others who praise her writing abilities.
Enlightening cultural description and analysis blends somewhat awkwardly with self-regard.Pub Date: June 1, 2010
ISBN: 978-0-8021-1887-5
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: Jan. 20, 2011
Kirkus Reviews Issue: April 15, 2010
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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