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HOUSE OF BONE AND RAIN

A mostly successful combination of horror, crime, and teen lit.

A Puerto Rican teen out to avenge the murder of his mother finds himself in an even darker place when Hurricane Maria strikes, bringing with it ghosts, demons, and horrific visions.

After his mother, a low-level drug dealer named Maria, is shot in the face for encroaching on someone’s territory, her son, Bimbo, will stop at nothing to avenge her—including torturing and murdering people for information. Most of his close friends don’t want any part this. But after one of them, Xavier, is murdered and Gabe, the primary narrator of the book, barely escapes the killers, their outlook changes. Torn between loyalty to Bimbo and love of his girlfriend, Natalia, who tries to talk sense into him (she’s desperate to escape to the United States), Gabe ultimately embraces his anger. When the hurricane hits, causing an epic power outage, all kinds of people go missing and little attempt is made by the authorities to find them. Myth crashes into reality when “a very large human made of shadows and with a black hole for a face” is seen at the edge of the storm. Prayers and incantations to various Orishas can’t erase unthinkable visions including that of a father bashing in his newborn baby’s skull with a brick because he was born with a horn in the middle of his forehead. In this epic darkness, no amount of bloodshed is enough for Bimbo, and Gabe, finding comfort with a gun, stays with him. Iglesias is an unstoppable force himself, intensifying the grief and widespread helplessness felt on the island post-Maria, along with the supernatural elements. The book isn’t without its excesses, but it’s a step up from his previous novel, The Devil Takes You Home (2022).

A mostly successful combination of horror, crime, and teen lit.

Pub Date: Aug. 6, 2024

ISBN: 9780316427012

Page Count: 352

Publisher: Mulholland Books/Little, Brown

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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  • New York Times Bestseller


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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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BEAUTIFUL UGLY

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.

Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Pub Date: Jan. 14, 2025

ISBN: 9781250337788

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Oct. 10, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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