A bittersweet-comic version of all living things anchors this enchanting short novel by the acknowledged master of magical realism (Strange Pilgrims, 1993, etc.). In fiat, reportorial tones (perfectly captured in Grossman's eloquent translation), the 1982 Nobel — winner spins an extravagant tale of ethnic contrast and cosmic dislocation, set in a Colombian-like South American backwater near the Caribbean Sea. When 12-year-old Sierva Maria, only child of a desiccated marquis and his dissolute lowborn wife, is bitten by a rabid dog, the girl's mendacious disposition and unsophisticated demeanor are interpreted as signs of demonic possession. Held captive in an austere convent, she is denounced by a bigoted abbess, befriended by a kindly murderer, and adored from afar, then more intimately, by Father Cayetano Delaura, the diocese librarian whose surprised discovery of passion both complicates and transfigures his bookish, selfless existence. The tale of their thwarted love resonates down the years as a union of opposites that's all but anathema to a culture whose prosperity is built on a thriving slave trade and whose privileged classes live in fear that their servants will rise up and murder them in their beds. Garcia Marquez mockingly breaks down conventional barriers between not just masters and servants, but also whites and blacks, clergy and laity, humans and animals. This is a world in which bats drain the blood of sleeping humans, a 100-year-old horse is buried in holy ground, and a learned physician imperturbably straddles the metaphysical boundaries separating life and death. In a society distinguished by "so much mixing of bloodlines," it is implied, people and things blend into and become one another — despite the repressive exertions of wealth and power, and the delusory authority of a religion that sees demons in every instance of dissent or independence. Written with masterly economy, brimming with colorful episodes and vividly sketched characters: a haunting, cautionary tale that ranks among the author's best.
Pub Date: May 18, 1995
ISBN: 0-679-43853-X
Page Count: 176
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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