Heady stuff, for readers who like to read writers writing about writers who write about writing.
A philosophical jigsaw puzzle of a novel dares the reader to discover how the pieces fit together.
Taking his structural cues from Bach’s Goldberg Variations, Josipovici (Now, not reviewed) presents variations on recurring motifs through 30 interlocking stories. The result is a small work (most of the stories are little more than snippets) filled with big ideas, as the Italian-born, England-based professor (Univ. of Sussex) shows the wide range of literary interests and intellectual curiosity that have marked his prolific career as a writer of stories, novels, plays and criticism. The set-up is simple: A 19th century British gentleman named Tobias Westfield, who fancies himself a philosopher, suffers from insomnia caused by an overactive brain. After summoning a musician who isn’t able to play Westfield to sleep, he decides to hire a writer named Samuel Goldberg to read him to sleep. Goldberg needs the money enough to leave his beloved family for the assignment, yet soon discovers that the challenge is trickier than expected. Rather than reading to Westfield from books, whose ideas are so familiar that the insomniac can ignore them, Goldberg must write enough original material by day to fill the night until Westfield starts snoring. And the writing must be sufficiently compelling to relieve Westfield of his own thoughts, yet not so compelling as to keep him awake. In a labyrinthine fashion that occasionally recalls Borges or Calvino, the book the reader is reading initially appears to be the one Goldberg is writing—an extended letter to his wife. Yet subsequent chapters take different tacks, offering vignettes of the lives of the two men, meditations on memory and mortality, invocations of Homer and Shakespeare, and the belated appearance of another writer, whom the reader is invited to identify with the author, and who expresses his own dissatisfactions with the work in progress that the reader is reading.
Heady stuff, for readers who like to read writers writing about writers who write about writing.Pub Date: March 1, 2007
ISBN: 0-06-089723-6
Page Count: 208
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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