written and illustrated by Gabriele Schafer ; photographed by Andreas Sterzing & Margaret Morton ‧ RELEASE DATE: Oct. 19, 2021
A personal, informative portrayal of a unique New York community.
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Debut author Schafer presents a memoir of time spent with New York City’s homeless.
On Thanksgiving evening in 1990, a reproduction of a Lakota tepee went up among a homeless encampment near the Manhattan Bridge. The encampment was known as The Hill. Those who put up the structure were, however, not the typical residents. The author and her partner, Nick Fracaro, had decided to set up their tepee as a way to commemorate the 1890 massacre at Wounded Knee. The event eventually took on a life of its own. Not only did the tent remain standing, it became a gateway for getting to know the community of The Hill. Although the couple kept their apartment in Brooklyn, they wound up spending a lot of time among the locals. The Hill was home to heroin addicts, drunks, and formerly incarcerated people. Of course these were also people with families, pasts, and stories to tell. As the author states, “Generally, The Hill is a sad place.” This was often due to the fact that the “need for drug-money is all-powerful.” Still, high school students, tourists, and the media came to visit. It all comes to life in this collection of journal entries, photographs, newspaper clippings, and other miscellanea. Rather than provide an overarching statement on homelessness, the book lets the author’s experiences speak for themselves—a powerful statement that doesn’t force an agenda. From Juan, a pushover crack addict, to Mr. Lee, who diligently tends to his own shack, the individuals are as unique as they are tragic. For those on the Hill with nowhere else to go, “There is no option like ‘giving up,’ only completing one’s destiny.” The reader comes to understand how “the future is not a concept on The Hill. Anything beyond today is a mystery.” Some entries, such as the author’s attempts to secure grant funding, are, naturally, not quite as interesting. Nevertheless, the material forms a highly readable firsthand account that is neither overly sentimental nor dismissive. The work features sketches by the author, usually portraits of residents of the Hill, and includes no-frills photos by Morton and Sterzing.
A personal, informative portrayal of a unique New York community.Pub Date: Oct. 19, 2021
ISBN: 978-1-57027-384-1
Page Count: 216
Publisher: Autonomedia
Review Posted Online: April 8, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
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by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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SEEN & HEARD
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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