An intensive, potent profile of contemporary digital activism at its most unsettling—and most effective.
A fresh perspective on the covert, crusading Internet activist group Anonymous.
Coleman (Scientific and Technological Literacy/McGill Univ.; Coding Freedom: The Ethics and Aesthetics of Hacking, 2012), a cultural anthropologist and Internet authority, spent several increasingly immersive years researching the calculated tactics of the global Anonymous collective. She tracks the hacktivist association’s anarchic history from its nascent disruptive publicity stunts and trolled online raids through the “4chan” public chat boards in 2003, executed in the spirit of “lulz” (public schadenfreude). Though the group’s later, more pointed, collaborative machinations would attract the aggressive attention of the FBI, writes Coleman, their activities were still partly implemented in the same roguish, mischievous spirit. Though her treatment is permeated with buzzwords, initialisms and computer jargon, even Internet neophytes will find Coleman’s text to be a consistently fascinating ethnography, as she folds the politics of hacking and website breaching techniques into intriguing stories from the stealth campaigns of microcosmic networks like AnonOps and LulzSec (“a crew of renegade hackers who broke away from Anonymous and double as traveling minstrels”), among others. The author examines the ways the Anonymous collective seeks justice (or, at the very least, a mean-spirited chuckle) through the seizure and release of digitized, classified information or by challenging corporate conglomerates, as demonstrated by the Wikileaks–Chelsea Manning scandal and an early, synchronized attack on Scientology, both of which Coleman generously references. The author is particularly enthusiastic about Anonymous’ interior motivations and provides pages of interviews with infamous, incendiary trollers, snitches and hackers, verbatim bickering chat-room dialogue, and leaked documents. For such a frenzied collective defying easy categorization, Coleman’s diligent and often sensationalistic spadework does great justice in representing the plight of these “misfits of activism” and their vigilante mischief.
An intensive, potent profile of contemporary digital activism at its most unsettling—and most effective.Pub Date: Nov. 4, 2014
ISBN: 978-1781685839
Page Count: 450
Publisher: Verso
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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