As selective as the companion outing but a trove of data nonetheless for tourists of both the active and armchair sorts.
The creators of the fact-packed The 50 States (2015) give as many of the United States’ bustling burgs similarly upbeat, panoramic overviews.
Printed on simplified street maps that provide loose geographical anchors, each of the alphabetically arranged surveys fills an oversize spread with graphic vignettes and descriptive notes about select neighborhoods, institutions, sports, and sights, plus a carefully diverse cast of prominent natives, local cuisine, historical highlights, and major festivals. Each features a box of “Key Facts” (all nonstatistical except for population) and an infeasible but tantalizing itinerary for a day’s tour. The information is current enough to include mention of Hamilton on Broadway and audience-conscious enough to cite hometown superheroes where appropriate, along with site-specific books for young readers. It’s all compiled with a sure instinct for sparking urges to visit or at least to find out more. Who, for instance, would want to pass up the International Cryptozoology Museum in Portland, Maine, Flaming Lips Alley in Oklahoma City, or the chance to drive a bulldozer at Las Vegas’ Dig This? Washington, D.C., caps the main tour, but lest any state go unrepresented Des Moines and seven other cities that didn’t make the cut get their “Key Facts” laid out at the end.
As selective as the companion outing but a trove of data nonetheless for tourists of both the active and armchair sorts. (index) (Atlas. 8-12)Pub Date: Sept. 30, 2017
ISBN: 978-1-84780-870-7
Page Count: 112
Publisher: Wide Eyed Editions
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Starting with a lonely slice of pizza pictured on the cover and the first page, Thornhill launches into a wide-ranging study of the history and culture of food—where it comes from, how to eat it and what our food industries are doing to the planet. It’s a lot to hang on that slice of pizza, but there are plenty of interesting tidbits here, from Clarence Birdseye’s experiments with frozen food to how mad cow disease causes the brain to turn spongy to industrial food production and global warming. Unfortunately, the volume is designed like a bad high-school yearbook. Most pages are laid out in text boxes, each containing a paragraph on a discrete topic, but with little in the way of an organizing theme to tie together the content of the page or spread. Too many colors, too much jumbled-together information and total reliance on snippets of information make this a book for young readers more interested in browsing than reading. Kids at the upper edge of the book's range would be better served by Richie Chevat's adaptation of Michael Pollan's The Omnivore's Dilemma (2009). (Nonfiction. 8-12)
Pub Date: Sept. 1, 2010
ISBN: 978-1-897349-96-0
Page Count: 64
Publisher: Maple Tree Press
Review Posted Online: July 1, 2010
Kirkus Reviews Issue: July 15, 2010
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