by Gabrielle Civil ‧ RELEASE DATE: Feb. 22, 2022
To be read, as the author suggests, like a dream: Garner what you can, and hopefully something new will unfurl in your mind.
An exuberant collection of texts and artifacts by a Black feminist performance artist.
In a disarmingly candid postscript, Civil, who teaches creative writing at CalArts, discusses her decision not to use a capital B for the word black when referring to race. Though she understands the impetus and values the gesture, "the déjà vu is my book…an attempt to reflect my voice, my inner life, and something about my time….I reserve the right to make different choices myself (even within the span of this text). I’m down for lowercase blackness, capital Blackness, all caps BLACKNESS, wild-style bLaCkNeSs, nourbeSe-N b l a c k N e s s, and other combinations." An unwavering commitment to upholding a unique personal aesthetic while exploring black dreams is the driving force behind this unusual book, a kind of archive or scrapbook of performance pieces, scripts, poems, conversations, collaborations, lectures, and essays. As in the postscript, the narrative touches at many points on the tensions created by recent changes in the way we use and interpret language. One standout piece, "Blue Flag," is a palindrome essay that unpacks the convoluted story of Civil's being asked to write an introduction to a reissue of Wanda Coleman’s 1977 chapbook, Art in the Court of the Blue Fag. Throughout the book, Civil also provides inspiring instructions and DIY rituals for readers. For example, she shares the advice of a friend who was trying to help her cut through indecision about taking an academic position. He told her to repeat to herself, "I’m Gabrielle Civil. Now start acting like it." To readers, the author suggests, "Switch out my name for yours, then repeat it. I’m ____________. Now start acting like it. See what happens. A speech act and a spell."
To be read, as the author suggests, like a dream: Garner what you can, and hopefully something new will unfurl in your mind.Pub Date: Feb. 22, 2022
ISBN: 978-1-56689-622-1
Page Count: 320
Publisher: Coffee House
Review Posted Online: Jan. 10, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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edited by Roxane Gay ‧ RELEASE DATE: March 25, 2025
A timely, spirited collection.
A compendium of feminist perspectives.
Essayist, memoirist, and fiction writer Gay represents the history, scope, and challenges of feminism in a judicious selection of 65 pieces, some written by iconic feminist writers (bell hooks, Audre Lorde, Susan B. Anthony), others by collectives, and still others by lesser-known voices. Citing “dynamism” as her guiding principle, Gay has chosen works that are articulate, diverse, and hard-hitting. “I believe there is a feminist canon,” Gay writes, “one that is subjective and always evolving, but also representative of a long, rich tradition of feminist scholarship.” The pieces are grouped into eight thematic sections. Foundational texts include a statement of guiding principles for the 2017 Women’s March; early feminist texts begin with 16th-century scholar Henricus Cornelius Agrippa’s defense of women’s superiority and includes Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Anthony’s argument for women’s right to vote. Other well-known pieces include Judy Brady’s wry “I Want a Wife,” a 1970 essay reprinted in the first issue of Ms. magazine; Rebecca Solnit’s “Men Explain Things to Me”; and Gloria Steinem’s “If Men Could Menstruate.” There are also fresh surprises: “The Woman-Identified Woman,” a manifesto written by six women calling themselves Radicalesbians, argues that lesbianism is central to feminist politics “as an identity of political, cultural, and erotic resistance to patriarchy.” In “Girl,” novelist Alexander Chee reflects on gender fluidity, remembering being mistaken for a girl when he was growing up and revealing the beauty he finds when he puts on drag. With its capacious perspective, the collection speaks to a range of feminist concerns, past, present, and future. As Gay notes, “women’s bodies, movements, and choices are contingent on the whims of men in power. We have made progress but we are not yet free.”
A timely, spirited collection.Pub Date: March 25, 2025
ISBN: 9780143110392
Page Count: 672
Publisher: Penguin Classics
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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by Katie Couric ‧ RELEASE DATE: Oct. 26, 2021
A sharp, entertaining view of the news media from one of its star players.
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The veteran newscaster reflects on her triumphs and hardships, both professional and private.
In this eagerly anticipated memoir, Couric (b. 1957) transforms the events of her long, illustrious career into an immensely readable story—a legacy-preserving exercise, for sure, yet judiciously polished and insightful, several notches above the fray of typical celebrity memoirs. The narrative unfolds through a series of lean chapters as she recounts the many career ascendency steps that led to her massively successful run on the Today Show and comparably disappointing stints as CBS Evening News anchor, talk show host, and Yahoo’s Global News Anchor. On the personal front, the author is candid in her recollections about her midlife adventures in the dating scene and deeply sorrowful and affecting regarding the experience of losing her husband to colon cancer as well as the deaths of other beloved family members, including her sister and parents. Throughout, Couric maintains a sharp yet cool-headed perspective on the broadcast news industry and its many outsized personalities and even how her celebrated role has diminished in recent years. “It’s AN ADJUSTMENT when the white-hot spotlight moves on,” she writes. “The ego gratification of being the It girl is intoxicating (toxic being the root of the word). When that starts to fade, it takes some getting used to—at least it did for me.” Readers who can recall when network news coverage and morning shows were not only relevant, but powerfully influential forces will be particularly drawn to Couric’s insights as she tracks how the media has evolved over recent decades and reflects on the negative effects of the increasing shift away from reliable sources of informed news coverage. The author also discusses recent important cultural and social revolutions, casting light on issues of race and sexual orientation, sexism, and the predatory behavior that led to the #MeToo movement. In that vein, she expresses her disillusionment with former co-host and friend Matt Lauer.
A sharp, entertaining view of the news media from one of its star players.Pub Date: Oct. 26, 2021
ISBN: 978-0-316-53586-1
Page Count: 528
Publisher: Little, Brown
Review Posted Online: Oct. 25, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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