by Gabrielle Jackson ‧ RELEASE DATE: March 8, 2021
An informative study of cisgender female care in medicine, from hysteria to Covid-19, with a focus on chronic pain.
An exploration of how “women’s pain is all too often dismissed, their illnesses misdiagnosed or ignored."
Jackson, an associate news editor at the Guardian, breezily translates decades of medical research, interviews, and statistics into a book that challenges what we think we know about women’s health and pain. The author, who suffers from endometriosis, expands on her earlier journalism on the condition, writing of the startling misconceptions surrounding cisgender women’s treatment in the medical system. Jackson locates the foundation of modern medicine’s dismissal and misdiagnoses of countless women by detailing the history of hysteria and its insidious consequences for women. For example, she highlights how most people would be surprised to learn that “in 2004, 7.4 million women over 60 years of age died of cardiovascular disease compared with 6.3 million men.” This misconception—that heart disease afflicts the male population more than the female population—is one of many Jackson corrects throughout the book. She adroitly synthesizes complex medical studies and interviews with medical professionals, patients, and researchers. One conclusion is that medical professionals’ current lack of consensus on the best treatments for women with chronic diseases is due to the paucity of clinical trials and dedicated funding for research into how these diseases specifically affect cisgender female patients—or female rodents in trials. Jackson is most effective when she brings together disparate sources and findings to reach digestible conclusions. The author’s personal tale of her struggle with endometriosis creates an engaging familiarity with readers, but her occasionally derisive tone toward men, lumped together as an undifferentiated group, could alienate an otherwise receptive audience. Nonetheless, Jackson is effective in her presentation of pertinent, often surprising information that could help many women stay healthy and find quality, personalized health care.
An informative study of cisgender female care in medicine, from hysteria to Covid-19, with a focus on chronic pain.Pub Date: March 8, 2021
ISBN: 978-1-77164-716-8
Page Count: 392
Publisher: Greystone Books
Review Posted Online: Jan. 6, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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