Duty and desire clash in the melancholy reminiscences of a former Ellis Island immigration officer.
A man looks back on his long tenure at America’s former entry point.
Already the winner of the European Union Prize for Literature after its publication in France, Josse’s slim novel contains the somber reflections, in diary form, of one man’s 45 years of service as a gatekeeper at what once was the door into the United States for millions of immigrants. John Mitchell, who began working for the Federal Immigration Service at Ellis Island as an immigration inspector and eventually rises to the position of commissioner, finds himself the only remaining employee at the deserted complex, but the ghosts of its many temporary inhabitants and his former colleagues remain intensely real. Nine days before its closure on Nov. 12, 1954, he sits down to record his memories—mostly painful and deeply regretful—of his long tenure. In spare, but at times poetic, prose, Mitchell describes his brief, almost impossibly happy marriage to his late wife, Liz, a nurse who also worked on the island. Mitchell is a man of orderly habits and obvious rectitude, but he’s haunted as he recalls the stories of several immigrants, all of them cases in which he’s guilty of serious, but totally human, lapses in judgment. The most troubling involves Nella, a beautiful young woman from Sardinia, who arrives with her younger brother, Paolo. After Paolo is marked for exclusion because of a mental deficiency, Mitchell allows his emotions to overcome his professional obligations in his relationship with Nella. When he permits, against his better judgment, another Italian immigrant with an anarchist past into the country, Mitchell overcompensates during the Red Scare of the 1920s by excluding a couple from Hungary with vaguely communist leanings. In the tale of this fictional bureaucrat, Josse powerfully evokes the spirit of the “huddled masses” who landed on America’s shores while creating a memorable portrait of a man torn between his commitment to his difficult job and the longings of his heart.
Duty and desire clash in the melancholy reminiscences of a former Ellis Island immigration officer.Pub Date: Nov. 24, 2020
ISBN: 978-1-64286-071-9
Page Count: 208
Publisher: World Editions
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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