by Gail E. Haley & illustrated by Gary Parker & Mercer Mayer & by E.L. Konigsburg & illustrated by Laurel Schindelman ‧ RELEASE DATE: April 22, 1971
Four short stories, each illustrated by a different artist and each containing an unobtrusive but centrally important moral. In "Inviting Jason" Stanley, a typically conformist ten-year-old, fears that his birthday party will be ruined when his mother makes him invite the dud whose salient trait appears to be his well-known dyslexia. When Dick, the popular boy Stanley wants to impress, takes up with Jason largely because of the novelty of his spelling and drawing, Stanley is chagrined anew. In "The Night of the Leonids" Lewis and his grandmother go to Central Park for a star shower, only to find that a cloudy sky has spoiled the show. When he complains that he won't have another such chance for thirty-three years, Lewis is reminded of what that much time means to his sixty-three-year-old grandmother. Clara in "Camp Fat" is encouraged by a sympathetic "night counsellor," but discovers upon leaving that Miss Natasha has been dead for years. "Momma at the Pearly Gates" is told by a black girl about her mother's fourth-grade encounter with racial prejudice in the person of one Roseann Dolores Sansevino, whom Momma wins over after an amusing series of instills and challenges. Neither as lively nor as imaginative as Mrs. Konigsburg's full-length fiction, the stories share her offhand humor and her perceptive empathy with a child's point of view. The theme or lesson of each story emerges naturally from the characters and events and adds in its turn an ironic note to the plot's conclusion.
Pub Date: April 22, 1971
ISBN: 1416955011
Page Count: 37
Publisher: Atheneum
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: April 1, 1971
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by Alice Schertle ; illustrated by John Joseph ‧ RELEASE DATE: Dec. 8, 2020
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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