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DEAD GIRLS DON’T WRITE LETTERS

A creepy psychological thriller offers a slick update to the parable of the returning prodigal. With her mother sunk deep in depressive lethargy, and her father indulging in alcoholic binges, 14-year-old Sunny has become the only functioning member of her family since the accidental death of her brilliant, beautiful older sister Jazz. Tossing a bombshell into this corrosive family circle is a letter from Jazz, announcing that the reports of her demise have been greatly exaggerated. But the Jazz who arrives is an imposter; or so Sunny insists, and her father grudgingly concedes, even though her mother accepts her with painful joy. But this Jazz seems to know too many intimate family details, and fit in far too well—or maybe that’s just what Sunny, so often outshone by her sister’s glamour, and the victim of her secret spite, wants to believe. Lies pile upon lies, and secrets upon secrets, in a twisty narrative that turns in on itself so often that the reader is left not knowing quite what is real. Giles (Shattering Glass, 2002) here shows the same acute psychological observation and masterful sense of pacing of her sensational debut, but without the same depth and subtlety. While Sunny is drawn with a sensitive hand, the rest of the characters are too over-the-top to be convincing, and the plot has the feel of a drawn out short story. Still, teen readers will love having their preconceptions continually turned topsy-turvy, and will endlessly debate the tale’s maddeningly ambiguous conclusion. Another winner. (Fiction. 12+)

Pub Date: March 1, 2003

ISBN: 0-7613-1727-9

Page Count: 144

Publisher: Roaring Brook Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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