by Garrett M. Graff ‧ RELEASE DATE: Nov. 14, 2023
An entertaining tour through the world of flying saucers, aliens, and weird science.
A history of the decadeslong government involvement in reports of lights in the sky, odd flying shapes, and peculiar radar images.
Veteran journalist Graff, author of Watergate, The Only Plane in the Sky, and Raven Rock, tracks the popular obsession with UFOs, but his real interest is the way that various agencies of the U.S. government, mainly connected to the Air Force, have responded to sightings and other pieces of evidence. He readily admits that many UFO claims can be debunked, but notes that the Air Force seems to have taken a lot of them seriously. Graff recounts reports of officers turning up to interview people who said they had seen a UFO, often with a view to persuading them that they were mistaken. They were usually unsuccessful, and their attempts often backfired, feeding a growing network of conspiracy theories. Graff keeps his tongue in his cheek when discussing the range of books and articles claiming that the truth was out there but hidden away, and he notes that connecting disparate dots doesn’t necessarily add up to hard evidence. However, America in the 1970s, after Watergate and Vietnam, was fertile ground for conspiracy theories. There were even rumors that the government not only knew about UFOs, but also had alien ships in storage. Meanwhile, some respected scientists were taking the possibility of extraterrestrial life seriously, looking for radio signals and sending their own into space. Some exploratory spacecraft carried messages of friendship. Graff admires the open-mindedness and imagination of these researchers, although he concludes that their work has yet to produce substantial returns. He avoids taking a firm stand on the existence of UFOs but acknowledges that it is a big universe and there are plenty of inexplicable phenomena.
An entertaining tour through the world of flying saucers, aliens, and weird science.Pub Date: Nov. 14, 2023
ISBN: 9781982196776
Page Count: 368
Publisher: Avid Reader Press
Review Posted Online: Aug. 29, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Dmitri Alperovitch with Garrett M. Graff
BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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