by Garrett Peck ‧ RELEASE DATE: Dec. 4, 2018
Students of 20th-century American and European history will enjoy this American view of the war and its long-term...
A new history of World War I, viewed through the lens of America, where it “was an enormously contentious issue.”
Peck (Walt Whitman in Washington, D.C.: The Civil War and America's Great Poet, 2015, etc.) denies the biographical bent of his book, but Woodrow Wilson figured massively in the avoidance, eventual entrance, and especially the disastrous results of the war. One-third of America’s population was first- or second-generation immigrants from the belligerent nations. Many disliked England or Germany, but seemingly everyone loved France, and they were the beleaguered nation. Other than the Navy, the American armed forces were in no shape to fight any war, let alone one thousands of miles away. The debate about whether to enter continued for more than two years. Ultimately, the U.S. decided to enter due to Germany’s unrestricted U-boat warfare and the Zimmerman Telegram inviting Mexico to invade. Wilson first assumed a lofty position of arbiter trying to end the war without success. After American entry, he trampled on civil liberties, censored mail, and forbade Germans from owning guns or approaching military facilities. He stifled freedom of speech and basic civil liberties with the Sedition Act, Espionage Act, and Trading with the Enemy Act. American troops were young, poorly trained, and poorly armed. Gen. John Pershing insisted that his doughboys would not be co-opted, but the French and English had counted on incorporating that army into their own. Pershing also insisted on training for open warfare rather than the established trench warfare. The Battle of Château-Thierry put that idea to rest as Americans were mowed down by German machine guns. Furthermore, Wilson’s rigid Fourteen Points caused more problems than solutions. The worst road blocks were Wilson’s presence in Paris and his insistence that the League of Nations be included in the punitive, catastrophic Treaty of Versailles, but that’s another book. Here, Peck proves a reliable guide to “a nation that was rapidly growing up—and yet not mature enough to accept its global responsibilities.”
Students of 20th-century American and European history will enjoy this American view of the war and its long-term consequences.Pub Date: Dec. 4, 2018
ISBN: 978-1-68177-878-5
Page Count: 400
Publisher: Pegasus
Review Posted Online: Sept. 10, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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