“Living in Lake Wobegon was like being stuck in a bad marriage,” thinks Clint, leaving the rest of the novel to resolve...
One of the funnier Lake Wobegon novels might be the saddest as well.
The farcical note on which the book opens gives no indication of the tragic undercurrent to come. In the latest from radio’s A Prairie Home Companion tale-spinner Keillor (Pontoon, 2007, etc.), town mechanic Clint Bunsen has become too dictatorial in his role as chairman of Lake Wobegon’s Fourth of July festivities, or so his hometown critics contend. Though his increasingly ambitious spectacles attracted the attention of CNN the previous year, some question the expense involved in luring attractions such as the Leaping Lutherans Parachute Team and the Fabulous Frisbee Dogs of Fergus Falls. “It is not easy trying to sell grandeur and pizzazz to a bunch of sour old pragmatists,” grumbles Clint, particularly when so many citizens find their own roles in the celebration diminished. The very soul of Lake Wobegon is at stake, though the Minnesota hamlet is no longer a refuge from the outside world. Depression increasingly dissolves into a pharmaceutical haze, and teenage girls now dress like junior trollops. Ousted from his chairmanship, Clint takes stock of his life, discovering in the process that he made a huge mistake coming back to Minnesota from California after his discharge from the Army, and that his marriage to his hometown sweetheart was more from obligation than love, “[a]s if he were in a play written by someone who didn’t like him.” He finds the road not taken through the Internet, where he connects with a clairvoyant (who may also be a stripper) some 35 years younger than he. Their improbable affair throws Clint’s life, his marriage and his hometown into turmoil, culminating in his last holiday as chairman. It would be easier to laugh if the novel didn’t invest Clint with such pathos and his wife with such devotion. On the Fourth of July, will Clint choose liberty or responsibility?
“Living in Lake Wobegon was like being stuck in a bad marriage,” thinks Clint, leaving the rest of the novel to resolve whether the Bunsens’ marriage is worse than most.Pub Date: Sept. 16, 2008
ISBN: 978-0-670-01991-5
Page Count: 258
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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