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KINK

STORIES

Thrilling, provocative, and unapologetically kinky.

Fifteen tantalizing stories of pleasure, pain, and power.

Bondage. Voyeurism. Dominant-submissive relationships. Public displays. All of these kinks and more are explored in the sexy, star-studded fiction anthology edited by Kwon and Greenwell. In the introduction to their probing collection, the editors write: “By taking kink seriously, these stories recognize how the questions raised in intimate, kinky encounters...can help us to interrogate and begin to re-script the larger cultural narratives that surround us.” The characters in these stories illuminate the ways gender, politics, and cultural norms inform power dynamics—inside and outside the bedroom. The collection’s strength lies not just in the diversity of the writers, but also in the experiences they’re exploring. Kink, desire, and sexuality all exist on a spectrum, and so do these stories. In Kwon’s “Safeword,” a pain-seeking wife and her reluctant husband visit a dominatrix dungeon in Chelsea. Greenwell’s “Gospodar,” which follows a gay man seeking to be dominated, reveals the tenuous nature of trust—and the potential danger of getting more than you bargained for. A trans couple deals with being watched—in their bedroom and community—in Zeyn Joukhadar’s “The Voyeurs.” In an already strong anthology, standout stories include Carmen Maria Machado’s “The Lost Performance of the High Priestess of the Temple of Horror,” about an orphan who finds a home in a radical theater in early-20th century Paris; Brandon Taylor’s “Oh, Youth,” which is about the relationship between a rich, older White couple and the young Black man they’ve hired to live (and play) with them; and Vanessa Clark’s “Mirror, Mirror,” which is set in a “drag transsexual nightclub” and explores the transformative power in being desired exactly as you are (“Sometimes, their basking in my beauty was enough to thrill us both”). The at-times explicit collection won’t be for everyone, but these candid, slinky stories are sure to find their audience.

Thrilling, provocative, and unapologetically kinky.

Pub Date: Feb. 9, 2021

ISBN: 978-1-982110-21-5

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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