THE SECOND COMING

A father and daughter share an epic bond over anxiety and addiction.

Hallberg’s 2015 breakthrough, City on Fire, exemplified Tom Wolfe’s concept of the billion-footed beast, a social novel that strived to capture the world in its fullness. This disappointing follow-up is similarly bulky and rangy (and very New York) but narrows its focus to two lead characters. In 2011, when most of the novel is set, Ethan Aspern is a recovering addict who’s determined to bond with his hyperintelligent 13-year-old daughter, Jolie. But she has her own set of emotional issues, including some ill-advised drinking that leads to a near-miss with a subway train when she hops on the tracks to recover her phone. The novel shifts back and forth in time, chronicling Ethan’s unlikely romance with Sarah Kupferberg, Jolie’s mother (he’s listless, she’s an aspiring academic); his fraught relationship with his father, head of a foundering private school; Jolie’s budding, sketchy friendship with a young man equally interested in Occupy Wall Street and LSD; and Sarah’s parents, judgmental of everybody involved. The core of the novel occurs during a (metaphorically fraught) Thanksgiving weekend, as Ethan attempts to bond with a Jolie who’s determined to give everyone the silent treatment; what ensues includes (among other things) accusations of kidnapping, a bad LSD trip, and anaphylactic shock. Hallberg enlivens this setup by playing with form, modeling sections after an old-school mixtape and shuffling perspectives, but his efforts to show how the parent-child bond both persists and disrupts feels stodgy. Fans of Jonathan Franzen will appreciate Hallberg’s hyperprecise, socially acute observational skill; readers of Richard Ford’s Frank Bascombe novels will note a similarly desperate, self-deprecating dad in Ethan. But the resulting novel is too overworked to feel as lively and funny as either of those authors.

Whip-smart and ambitious, but tangled in its own web of themes and scenarios.