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ELSEWHEN

A focused, fast-paced journey between alternate universes.

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In Bullock’s sci-fi romance, a man who thought he’d lost the love of his life in a plane crash discovers that she’s not only alive but she has the ability to move between alternate universes.

Astrophysicist Lije’s life took a turn for the worse years ago when his soul mate and girlfriend, Laura Bess, was killed in a plane crash. Now, he leads a minimal existence tracking space debris at an observatory. One day, though, Laura Bess reappears to him. She’s not dead, and she has the ability to move between alternate universes—she’s currently living in one—although she can’t control the ability. The remainder of the book deals with the couple’s desperate attempt to find a safe haven for them both as an approaching black hole threatens to obliterate Lije’s world—the current Earth—and Folter, a sadistic government agent, tries to destroy Laura Bess. Bullock’s intriguing story combines elements of science fiction, romance and suspense. The idea that time and existence are like rivers that flow may be a sci-fi staple, but the author wisely doesn’t waste time trying to put a terribly unique spin on the concept; rather, he presents it as fact and quickly moves on, so that the narrative transports the reader rather than stalling with drawn-out attempts at developing a pseudo-science. The believable cast of characters is well-drawn, particularly Lije’s boss, who mourns for the lost days of his youth and the woman he shared it with. While the book encompasses two versions of reality, the author doesn’t get bogged down in describing how the worlds differ, which could have hijacked the story’s momentum. The last portion of the book introduces an additional touch of anxiety in the form of Folter, the nasty government agent. Although a stereotypical cardboard villain consumed by evil, his presence infuses the end of the story with white-knuckle suspense.

A focused, fast-paced journey between alternate universes.

Pub Date: May 29, 2012

ISBN: 978-1458203946

Page Count: 118

Publisher: AbbottPress

Review Posted Online: Sept. 10, 2013

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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