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MOSCOW MEETS MADISON AVENUE

THE ADVENTURES OF THE FIRST AMERICAN ADMAN IN THE U.S.S.R.

A Western executive's fascinating account of the toil and trouble attendant to opening a Moscow office for a transnational ad agency. With an assist from Giges (international editor for Advertising Age), Burandt recounts the travail involved in joining forces with a state-owned enterprise to establish an outpost for Young & Rubicam in what was then the USSR, whose wary citizens still equated advertising with propaganda. Wisely, Burandt—who recounts his tale in topical rather than chronological fashion- -doesn't play his experiences for laughs, opting instead for a straightforward audit of what capitalists may encounter in an erstwhile empire whose people were profoundly affected by over 70 years of Communist rule. Even a putatively willing partner like the Soviet Chamber of Commerce, Burandt discovered, was hard put to overcome the bureaucratic inertia that delayed the launch of his employer's Soviet branch for over a year (until 1989). Eventually, he and a p.r. associate set up a shop for a firm that boasts many world-class clients—Coca-Cola, Colgate, DuPont, GM, Sony, etc. Along the way, the author mastered the fine art of additional incentives—i.e., modest bribes that made lower-echelon officials more amenable to bucking a system whose implicit rationale was that whatever is not expressly permitted may be deemed forbidden. In addition, he discovered that market research was less than reliable in a multicultural society where people tended to give interrogators the answers they believed were wanted. Covered as well are the lack of media in the late USSR; the training of indigenous personnel to become competitive; ways to deal with fast- buck artists more interested in quick financial killings than in enduring relationships; the expatriate community's housing woes; and the empty-shelf hardships of a centrally planned economy. An outlander's illuminating, cautionary briefing on an odyssey in what once was envisioned a workers' paradise. (Sixteen pages of b&w photographs—not seen.)

Pub Date: Dec. 1, 1992

ISBN: 0-88730-570-9

Page Count: 256

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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