An ode to a too-little-discussed musician and an excellent introduction to his amazing musical talent.
When NASA scientists compiled a recording of sounds to send into space representing Earth and humanity, those sounds included thunder, crickets, classical pieces, and a short wordless song by musician “Blind Willie” Johnson.
Willie Johnson’s mother died while he was still a boy, and shortly thereafter he lost his sight. Now young Johnson’s light came from singing in the church choir and playing the guitar. He traveled to cities throughout Texas, where he sang and played for money. One day, an adult Johnson was given the opportunity to record an album of his songs. One of the songs was “Dark Was the Night,” a haunting yet hopeful tune marked only by Johnson’s humming and characteristic slide-guitar playing. The second-person narrative is brief but evocative. In the backmatter, Golio shares with readers that this song was chosen for the Golden Record placed on Voyager 1 in 1977 because “Johnson powerfully conveyed the sense of loneliness that all people feel—something very important to know about human beings and life on planet Earth.” Lewis’ illustrations have a soft, blurred effect to them, conveying both the bygone time and Johnson’s vision loss. They are washes of mostly blue and violet, with punches of bright yellow and gold. The author’s note also discusses the challenges of researching Johnson and provides a bit more information on Voyager 1. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 65% of actual size.)
An ode to a too-little-discussed musician and an excellent introduction to his amazing musical talent. (Picture book/biography. 5-8)Pub Date: Aug. 25, 2020
ISBN: 978-1-5247-3888-4
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
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PERSPECTIVES
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