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LET’S DISAPPEAR

An idiosyncratic mystery for the postmodern set.

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Stuart (Call Him Mac, 2018, etc.) tells the story of a teenage girl at the center of a massive manhunt-turned–metafictional puzzle in this postmodern thriller.

High school junior Vivian Shortfield and her father, Stephan, were forced to move from suburban Baltimore to Cranston, Arizona, less than a year ago when Stephan became a state’s witness in a case involving financial crimes and murder. Now they have to leave again. “We have to get away from here,” Stephan tells Vivian. “We have to disappear and no one can know where we’ve gone.” Vivian just so happens to be writing a novel about disappearing…or rather, she’s writing a novel about a girl also named Vivian who is writing a book about disappearing. The family does just that—shortly after Vivian borrowed a book called How To Create a New Identity from the Cranston Library. Three months later, FBI agents arrive to question the librarian, Perry Ricketts, about her whereabouts. A lover of detective stories, Ricketts sets about trying to solve the case with Norman Nettles, Vivian’s former English teacher—who knew her not as Vivian Shortfield, but as Vivian Nau. As people dig into the lives of Vivian and her family members, they learn that the scope of the crimes in which they are involved or affected by becomes wider and weirder. As the Shortfields/Naus/Manchesters/MacLawns flee across the country attempting to craft new identities, their case becomes a source of increasing intrigue and frustration for her former neighbors, the FBI agents tasked with finding them, and the hit man/lawyer team that is also on their trail. How hard can it be to catch a family of three in an Airstream trailer? It turns out nothing is easy when the facts are constantly changing. Stuart’s conundrum of a novel is told in deceptively simple prose, though the dialogue is far from naturalistic: “Disappear? That’s exactly right Daddy. I told you about my book. I’m going to disappear into the air like the air itself. Do you know why you can’t see air? No, well, let me tell you why.” This helps to create an atmosphere in which nothing seems completely realistic and therefore anything is possible, and Stuart certainly manages to keep readers guessing. A downside of the author’s method, however, is that the characters feel less like real people than puppets in a stage show (or, perhaps by design, characters in a character’s novel). This makes it difficult to invest much emotion in their ultimate fate, which lessens the stakes quite a bit. Like some of Calvino’s or Pynchon’s novels, the resolution is less the point than the ever evolving premise, and the book will strike many as self-indulgent long before they get to the innermost Russian doll. Even so, Stuart has created a distinctive, unusual thriller that will likely rub a certain sort of reader in the exact right way.

An idiosyncratic mystery for the postmodern set.

Pub Date: Oct. 8, 2018

ISBN: 978-0-9863441-6-9

Page Count: 380

Publisher: Gleason & Wall Publishers

Review Posted Online: April 8, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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