Next book

LET’S DISAPPEAR

An idiosyncratic mystery for the postmodern set.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Stuart (Call Him Mac, 2018, etc.) tells the story of a teenage girl at the center of a massive manhunt-turned–metafictional puzzle in this postmodern thriller.

High school junior Vivian Shortfield and her father, Stephan, were forced to move from suburban Baltimore to Cranston, Arizona, less than a year ago when Stephan became a state’s witness in a case involving financial crimes and murder. Now they have to leave again. “We have to get away from here,” Stephan tells Vivian. “We have to disappear and no one can know where we’ve gone.” Vivian just so happens to be writing a novel about disappearing…or rather, she’s writing a novel about a girl also named Vivian who is writing a book about disappearing. The family does just that—shortly after Vivian borrowed a book called How To Create a New Identity from the Cranston Library. Three months later, FBI agents arrive to question the librarian, Perry Ricketts, about her whereabouts. A lover of detective stories, Ricketts sets about trying to solve the case with Norman Nettles, Vivian’s former English teacher—who knew her not as Vivian Shortfield, but as Vivian Nau. As people dig into the lives of Vivian and her family members, they learn that the scope of the crimes in which they are involved or affected by becomes wider and weirder. As the Shortfields/Naus/Manchesters/MacLawns flee across the country attempting to craft new identities, their case becomes a source of increasing intrigue and frustration for her former neighbors, the FBI agents tasked with finding them, and the hit man/lawyer team that is also on their trail. How hard can it be to catch a family of three in an Airstream trailer? It turns out nothing is easy when the facts are constantly changing. Stuart’s conundrum of a novel is told in deceptively simple prose, though the dialogue is far from naturalistic: “Disappear? That’s exactly right Daddy. I told you about my book. I’m going to disappear into the air like the air itself. Do you know why you can’t see air? No, well, let me tell you why.” This helps to create an atmosphere in which nothing seems completely realistic and therefore anything is possible, and Stuart certainly manages to keep readers guessing. A downside of the author’s method, however, is that the characters feel less like real people than puppets in a stage show (or, perhaps by design, characters in a character’s novel). This makes it difficult to invest much emotion in their ultimate fate, which lessens the stakes quite a bit. Like some of Calvino’s or Pynchon’s novels, the resolution is less the point than the ever evolving premise, and the book will strike many as self-indulgent long before they get to the innermost Russian doll. Even so, Stuart has created a distinctive, unusual thriller that will likely rub a certain sort of reader in the exact right way.

An idiosyncratic mystery for the postmodern set.

Pub Date: Oct. 8, 2018

ISBN: 978-0-9863441-6-9

Page Count: 380

Publisher: Gleason & Wall Publishers

Review Posted Online: April 8, 2019

Categories:
Next book

THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

Categories:
Next book

FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

Close Quickview