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THE DEVIL’S TICKETS

A NIGHT OF BRIDGE, A FATAL HAND, AND A NEW AMERICAN AGE

The author capably records the fading echoes of all the gaiety and gunfire, but he tends to attribute more cultural...

Pomerantz (Communication/Stanford Univ.; Wilt, 1962: The Night of 100 Points and the Dawn of a New Era, 2005, etc.) serves up intertwining Depression-era stories of bridge, high society and murder.

In addition to providing a biography of two of the card game’s great talents and popularizers, Ely and Josephine Culbertson, the author chronicles the emergence of bridge and examines a sensational bridge-related murder trial in Kansas City. Pomerantz looks back at the shooting of Jack Bennett, who, over a bridge table, slapped his wife, Myrtle, a few times. She promptly got a gun and shot him, then was acquitted in an O.J. Simpson–like murder trial in 1931 that featured a frenzied media and a dramatic defense attorney, former U.S. Senator James A. Reed, a fiery old-school orator. The author interweaves the tale of the Culbertsons, especially of Ely, a full-fledged egomaniac with a gift for self-promotion. Culbertson challenged and defeated experts on both sides of the Atlantic, and the press enthusiastically covered the encounters. But he eventually became too eccentric even for wife Jo; they divorced and he remarried—and divorced again. All the while he clung tenaciously to his bridge reputation and was not displaced until the emergence of new guru Charles Goren in the ’40s. Pomerantz supplies sufficient bridge history for the uninitiated and includes explanations and a glossary. In the final chapters, Pomerantz appears in the first person, telling us what happened to everyone. He finds and fires a gun like the death weapon, interviews people who knew the principals and walks around the apartment where the shooting occurred. Unfortunately, cliché occasionally creeps into the generally lively text—“It brought chills,” he writes of his murder-scene visit.

The author capably records the fading echoes of all the gaiety and gunfire, but he tends to attribute more cultural consequence to these events than they merit.

Pub Date: June 1, 2009

ISBN: 978-1-4000-5162-5

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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