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SARNY

A LIFE REMEMBERED

The slave child who learned to read in Nightjohn (1993) looks back from the age of 94 on her life during and after the Civil War. It's a moving tale, made more so by Sarny's clipped, matter-of-fact voice—utterly distinct, with strength and determination shining through every line. Paulsen moves away both from the first book's mystic language and explicit brutality; Sarny watches hated slavaowner Waller die of a bayonet wound, and later sits with four gut-shot soldiers (whose names she still remembers so many decades later), but both scenes are virtually bloodless. When it comes to describing the occupation of Laura Harris, Sarny is all but oblique: "She lived in a fancy house in New Orleans where men came and went," and "I don't think too much on her morals. Just think on her as a friend." A friend indeed: Miss Laura, passing as white, not only pays generous wages, but gives Sarny a house and a building for her first school, and makes her heir to a huge fortune. Sarny leaves it all in her daughter Delie's hands and sets out for Texas to start more schools. The next 50 years pass in a few paragraphs, the ending seems abrupt, and, ultimately, the plot takes too many convenient turns; still, Sarny's indomitability will win over skeptics, and the way her ability to read frees more than her body will not be lost on thoughtful readers. (Fiction. 11-13)

Pub Date: Oct. 1, 1997

ISBN: 0-385-32195-3

Page Count: 180

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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