by Gary Paulsen ‧ RELEASE DATE: April 1, 1994
Paulsen's latest comes close to a classic teenage male fantasy of fleeing from home to seek independence and self. Both Terry's parents leave the same day; each phones asking him to tell the other. Since their quarrels have always obliterated any urge to parent it's no loss, especially since Terry has $1,000 and a kit to build a car. After handily putting it together and teaching himself to drive, the 14-year-old heads west. He picks up Waylon, an aging, footloose vet whose psychic wounds date to carrying out termination orders against civilians in 'Nam (as depicted in vignettes entitled "Memories," early on); Waylon takes Terry to Wayne, a war buddy who tries to temper Waylon's sporadic rages against injustice. Hoping to kindle the boy's curiosity, the two take him on a journey that includes meeting an ancient man who tells tales from US history and a madam who explains that another friend (also a prostitute) has died of AIDS; a poker game; a fundamentalist commune where women are rigidly oppressed; and the site of Custer's defeat. Scenes and camaraderie are vivid, the narrative pungent. Kids will be enthralled by Terry's freedom and his friends' aura of mystery and loyalty; they may also sympathize with Waylon's violent, though righteous, anger without understanding its terrible consequences. In an inconclusive ending, Terry heads back into a conflict with some local toughs that may well end like Custer's. What can he look forward to if he survives? Paulsen doesn't offer much. There's a strong conscience propelling this novel, but it's buried so deep that YA's caught up in the action may miss it. (Fiction. 12-16)
Pub Date: April 1, 1994
ISBN: 0-15-292878-2
Page Count: 176
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
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by John Boyne ‧ RELEASE DATE: Sept. 12, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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SEEN & HEARD
SEEN & HEARD
by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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