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THE RIFLE

Once again Paulsen (The Tent, p. 474) proves that less is more in a short but extremely powerful cautionary tale. Four sections limn the elements of the story: the creation of the gun and its path through history, the life of a boy, the moment when the boy and the gun are "joined," and the rifle's fate after that event. This is Hitchcock's bomb under the bed: The suspense is nearly killing, yet from the 1768 scenes of the crafting of this "sweet" rifle, Paulsen forges descriptions to rival any he has written, and readers—on any side of the gun-control issue—must linger over each phrase. Gunsmith Cornish McManus's rifle shoots farther and truer, maybe, than any firearm ever created. The rifle's next owner, woodsman John Byam, depends on the gun for his livelihood; his skill picking off British officers during the Revolution becomes legendary. Upon his death the rifle falls into the hands of a woman who hides it in her attic, where it lies undetected for more than two centuries. In 1993 it is discovered and changes hands several times before finding a place over the fireplace in the home of Harv Kline, a decent man. When Harv and his wife light the decorative candles on their mantel for Christmas Eve, the stage is set for a horrifying sequence of events that results in the death of a neighbor's 14-year-old son. Paulsen is at the peak of his powers in a book that is as shattering as the awful events it depicts. Unforgettable. (Fiction. 12+)

Pub Date: Sept. 1, 1995

ISBN: 0-15-292880-4

Page Count: 112

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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THE BOOK THIEF

Beautiful and important.

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When Death tells a story, you pay attention.

Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor.

Beautiful and important. (Fiction. 12+)

Pub Date: March 14, 2006

ISBN: 0-375-83100-2

Page Count: 512

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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GOING SOLO

A delightfully captivating swatch of autobiography from the author of Kiss. Kiss, Switch Bitch and many others. Schoolboy Dahl wanted adventure. Classes bored him, there was work to be had in Africa, and war clouds loomed on the world's horizons. He finds himself with a trainee's job with Shell Oil of East Africa and winds up in what is now Tanzania. Then war comes in 1939 and Dahl's adventures truly begin. At the war's outbreak, Dahl volunteers for the RAF, signing on to be a fighter pilot. Wounded in the Libyan desert, he spends six months recuperating in a military hospital, then rejoins his unit in Greece, only to be driven back by the advancing Germans. On April 20, 1941, he goes head on against the Luftwaffe in the Battle of Athens. On-target bio installment with, one hopes, lots more of this engrossing life to come.

Pub Date: Oct. 1, 1986

ISBN: 0142413836

Page Count: 209

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Sept. 15, 1986

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