Blood-chilling case history by Provost (Without Mercy, 1989) of a murderous psycho accepted by his credulous wife and small community. Lisa Paspalakis was the beloved only daughter of a Greek immigrant who had made a business success in Daytona Beach. When she met Kosta Fotopoulos, Lisa found him so charming that the knot was tied in six months. Soon Fotopoulos began angling with Lisa's father for a share in the family enterprises. Receiving $10,000—which he promptly spent on a BMW—but no part of the hard-won businesses, Fotopoulos killed the old man with a dose of mercury. As Lisa mourned her father's ``heart attack,'' Fotopoulos acted the sympathetic and supportive husband. Several flights to Milan produced suitcases of counterfeit C-notes, and soon Fotopoulos was a man of respect with his own business—a tawdry pool hall, Top Shots, that attracted every runaway, hophead, rip-off artist, and street sister in Daytona. There, Fotopoulos met his perfect match in Deidre Hunt—hooker at 15, coke mule at 16, armed robber at 18 (11 months served for shooting a victim four times). With Lisa being the only thing that stood in the way of several million dollars, Fotopoulos and Hunt arranged for a Top Shots drifter to murder her at her office—but the gunman spooked and ran away after showing his pistol. Taking a break from uxoricide, the pair got some kicks with a teenaged acid dealer by tying him to a tree, Hunt shooting him point-blank while Fotopoulos videotaped. Fotopoulos finally found a competent runaway who entered the bedroom and shot Lisa in the head, whereupon Fotopoulos promptly wasted the ``intruder'' with a Walther PPK. Maddeningly, Lisa survived without any brain damage. As she lay in the hospital beginning to suspect her husband for the first time, he was planning to send her a bomb in a potted plant. Psychiatric background is included in Provost's account of this monster's growing madness. A heavy hit for true-crime readers.
Pub Date: Dec. 5, 1991
ISBN: 0-671-72493-2
Page Count: 256
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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