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The King of Average

A skilled and witty tale about a boy who would be king that should appeal to children and adults.

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A supposedly average boy realizes that he’s not so mediocre after all in this debut middle-grade novel.

James thinks he’s a typical 11-year-old, which suits him just fine. His father is gone, his mother hates him (she commonly wishes he was never born while on the phone with her friends), and he has no siblings. James, who earns C’s in school, looks rather ordinary (he certainly isn’t handsome). Instead of fighting it, he embraces his mediocrity, declaring himself the best average guy the planet has ever seen. One day in a garden, he meets Mayor Culpa, a talking goat. Following the animal, James finds himself suddenly transported to another world. The chatty creature reveals that he’s a Scapegoat (“As long as I’m to blame, no one else can be burdened. It’s what I was bred for”). He tells James that he can become the Kingdom of Average’s new ruler. But to claim the crown, the boy must first complete a mission—find the old king and discover why he abdicated the throne. Mayor Culpa, professional optimist Monsieur William Roget, and Roget’s pint-sized pessimist, Kiljoy, join James on his journey. They travel from Disappointment Bay to Serenity Spa to the Unattainable Mountains, and as their quest evolves, James begins to learn that maybe he’s not quite so mundane. When they reach the part of the kingdom dubbed Epiphany, James finally grasps who he is—someone extraordinary. While James initially believes that he’s mediocre, Schwartz’s novel assuredly is not. This is a volume that kids and parents can read together because it works on two levels—young ones should love the adventure-packed plot and hilarious characters, and grown-ups should chuckle at the wordplay embedded in every page. Schwartz’s characters are more than clever—they’re ingenious. Mayor Culpa constantly apologizes, and Kiljoy represents that little voice inside people’s heads that attempts to invalidate their intentions. These living, breathing allusions effectively push the narrative forward (although Armitage’s sketchlike illustrations fail to enhance the story—such fanciful places and characters should be left to the imagination). Schwartz’s nicely succinct writing style places the focus on the striking worlds he creates. The book delivers an important lesson—be your own hero. With this debut, the author should soon be a hero to readers everywhere.

A skilled and witty tale about a boy who would be king that should appeal to children and adults.

Pub Date: Oct. 6, 2015

ISBN: 978-1-5137-0331-2

Page Count: 266

Publisher: Updrift

Review Posted Online: Feb. 4, 2016

Kirkus Reviews Issue: March 1, 2016

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WILD ROBOT

From the Wild Robot series , Vol. 1

Thought-provoking and charming.

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A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.

When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.

Thought-provoking and charming. (Science fiction/fantasy. 7-11)

Pub Date: April 5, 2016

ISBN: 978-0-316-38199-4

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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