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HASKELL HIMSELF

An entertaining and perceptive YA take on the predicament of gay adolescence.

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A gay teenager tries to break into a new high school and Hollywood while firming up his identity amid the uproar of the 1960s in this coming-of-age novel.

Sixteen-year-old Haskell Hodge loves acting (he has an iconic cereal commercial under his belt), playing piano (his Liberace parody brings the house down), and living in the bustling Manhattan of 1966. But when his divorced mom decamps to Europe with her lover, he gets dumped in Los Angeles to live with his aunt, uncle, and bratty cousin. His gangly, nerdy presence and fondness for show tunes soon make him the target of gay bashing by Lucky Miller, the handsome, dumb swimming champion at Encino High School, who refers to him as Judy Garland. Standard-issue bullying ensues—Haskell gets roughed up in hallways and urinated on in the showers. Then he is befriended by classmate Henry Stoneman, a dreamboat possessed of “near-perfect…handsomeness,” a blossoming acting career, a wonderful interpretive touch with Chopin, fluency in four languages, and serious martial arts prowess that he imparts to Haskell in bare-chested wrestling sessions that leave the latter flustered and aroused. Henry’s feelings remain a mystery, but under his tutelage, Haskell is soon ready to stand up to Lucky. Unfortunately, when Henry and Haskell try out for roles in a movie being produced by the latter’s estranged dad, rivalry strains their friendship. And Hollywood’s insistence that gay actors remain barricaded in the closet starts to shadow Haskell’s prospects. Seigel’s (The Mouth Trap, 2007) hectic yarn deals with serious themes of maturation and belonging in a lighthearted vein that grows somewhat darker as the story proceeds. There is angst but not much rebellion in the YA novel, which is set in a largely Jewish, middle-class milieu where adults dispense good advice and empathy and the Vietnam-era counterculture is just background noise on TV news. The author draws vibrant, if sometimes cartoonish, characters, like Delia Jacobson, a theater-mad student who speaks in pig Latin. In addition, his prose is brisk and funny, its tone set by Haskell’s comic kvetching and hand-wringing. (“I might become radioactive and turn into one of those green, hairy creatures I read about in my comic books,” he frets after reading about toxic waste in the San Fernando Valley.) Haskell’s endless neurotic uncertainty over who to be and what to do will captivate readers.

An entertaining and perceptive YA take on the predicament of gay adolescence.

Pub Date: Jan. 2, 2020

ISBN: 978-1-947392-67-0

Page Count: 329

Publisher: Acorn Publishing

Review Posted Online: Jan. 6, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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