When Lenny realizes “I can’t connect in any meaningful way to anyone,” he’s writing about not merely a technological...
This cyber-apocalyptic vision of an American future seems eerily like the present, in a bleak comedy that is even more frightening than funny.
Though Shteyngart received rave reviews for his first two novels (The Russian Debutante’s Daughter, 2001; Absurdistan, 2006), those appear in retrospect to be trial runs for his third and darkest to date. Russian immigrant Lenny Abramov returns home to Manhattan of the indeterminate future, following a year in Italy, only to find his career as “Life Lovers Outreach Coordinator (Grade G) of the Post-Human Services division” in jeopardy. Just shy of 40, he is already coming to terms with his mortality amid the scorn of much younger, hipper careerists, as he markets eternal life to those with the wherewithal to afford it. The narrative alternates between the diary entries of Lenny and the computer log of Eunice Park, his much younger and reluctant Korean girlfriend whom he’d met in Italy and eventually persuaded to join him in the States. Lenny’s diary is itself an anachronism, since this “post-literate age” lacks the patience to scan text for anything longer than political bromides or marketing pitches. The society at large finds books “smelly,” though Lenny still collects and even reads them. “Media” has become an adjective (positive, all-purpose) as well as a noun, and some familiar institutions have morphed into Fox-Ultra and The New York Lifestyle Times. Both Lenny and Eunice are fully fleshed–out characters rather than satiric caricatures, but their matter-of-fact acceptance of Bi-Partisanship masking a police state, and of the illiterate, ebullient and Orwellian American Restoration Authority as a bulwark against the country’s collapse (the waiting list to move to Canada exceeds 23 million), makes this cautionary tale all the more chilling. The narrative proceeds in a surprising yet inevitable manner to the outcome the title promises.
When Lenny realizes “I can’t connect in any meaningful way to anyone,” he’s writing about not merely a technological breakdown but the human condition, where the line distinguishing comedy from tragedy dissolves.Pub Date: Aug. 1, 2010
ISBN: 978-1-4000-6640-7
Page Count: 352
Publisher: Random House
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: May 1, 2010
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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