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Driving In Budapest

STORIES OF LOSS AND LOVE, HOPE AND DESPAIR...ABOUT LIFE

Moving, descriptive, and seductive urban tales.

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Brill’s promising debut collection of short stories enjoyably navigates the streets and the heart of the Hungarian capital.

All the central characters of these stories seek direction, including a widower who’s traveled to Budapest to learn to play jazz, a librarian who’s become disconnected from the world, and a secret policeman who struggles to comprehend post-communist Hungary. The ever present chaos of the capital’s traffic encircles them as they attempt to carve routes through their own lives. The opening, first-person story, “Taxi!,” is written with such honest fluidity that readers may be fooled into mistaking it for autobiography. In it, San Franciscan Allan Simmons is on a mission to rediscover life after the death of his spouse. He hopes to achieve this by learning to play jazz piano but finds difficulty integrating into a city where he speaks little of the language and struggles to bridge the cultural gap. By chance, he meets Tibor, a taxi driver and fellow jazz aficionado, which allows him to experience the true embrace of Hungarian hospitality. It’s by far the standout story of an emotionally insightful, rewarding collection. In the elegantly written, sad, and charming tale “Getting Lost,” Maria, a lonely librarian, is unnerved by the sudden arrival of a mysterious gentleman who courts her attention. “Bullies,” about Lsazlo Hajdu, an ice-cold former member of the secret police, recalls communist Hungary’s atmosphere of intimidation and suspicion and considers how such ideologies linger on in the present. The author captures the vibrant hum of the city and revels in playing the flâneur, keenly observing the populated streets with brio: “I walked down streets I had never been on before...through pretty little squares with children playing...past a music school and listened to the sound of violins filling the air.” Overall, the collection is stylistically reminiscent of Paul Auster’s short stories, and it’s a must for anyone interested in Budapest.

Moving, descriptive, and seductive urban tales.

Pub Date: Oct. 16, 2015

ISBN: N/A

Page Count: 232

Publisher: CreateSpace

Review Posted Online: Dec. 11, 2015

Kirkus Reviews Issue: Jan. 15, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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RED RISING

From the Red Rising Trilogy series , Vol. 1

A fine novel for those who like to immerse themselves in alternative worlds.

Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.

In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.

A fine novel for those who like to immerse themselves in alternative worlds.

Pub Date: Jan. 28, 2014

ISBN: 978-0-345-53978-6

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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