Steeped in the rich traditions of ghost stories and Jewish folklore, this remarkable feat of storytelling is sure to delight.
A Jewish boy and girl journey to the Far Country on the other side of the cemetery seeking to find that which they lost.
The story begins in a shtetl called Tupik, where a boy named Yehuda Leib and a girl named Bluma each have unexpected encounters with Death, setting them both on separate journeys through the cemetery on the edge of the village and into the Far Country, seeking the House of Death to reclaim what they lost. On their way, they pass through the town of Zubinsk, where the holy Rebbe’s granddaughter is about to be married in a highly anticipated wedding that draws not only Hasidim and visitors from all over, but also all manner of demons and spirits seeking an audience with the revered Rebbe. Bluma’s and Yehuda Leib’s winding paths cross until they finally band together to defeat their mutual foe with the help of some unlikely allies they meet along the way. Though their cleverness, grit, and dastardly alliances may get them far in the Far Country, they may not ultimately be enough to defeat Death itself. Lyrical and fantastic, this richly layered yarn is liberally sprinkled with bits of Yiddish and a wry, sparkling humor that balances its darker tendencies with sympathy and warmth.
Steeped in the rich traditions of ghost stories and Jewish folklore, this remarkable feat of storytelling is sure to delight. (Fantasy. 13-adult)Pub Date: Nov. 17, 2020
ISBN: 978-1-984894-62-5
Page Count: 368
Publisher: Knopf
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.
A fantasy adventure with a sometimes-biting wit.
Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.Pub Date: April 4, 2023
ISBN: 9781250899651
Page Count: 384
Publisher: Tor
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
SEEN & HEARD
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