A well-researched and accessible examination of Fountaingrove’s utopian society.
A history book focuses on a California utopian community from its 19th-century origins to the destruction of its remnants by wildfires in the 21st century.
Casey (The Double Life of Laurence Oliphant, 2015) and LeBaron (Santa Rosa, 1993) center their study of Fountaingrove on minibiographies of its three most famous members: Thomas Lake Harris, Laurence Oliphant, and Kanaye Nagasawa. Harris, Fountaingrove’s founder, was a product of the religious mania that swept New York state in the 1820s and ’30s. That wave created an array of new religions and philosophies that ranged from the Church of Jesus Christ of Latter-day Saints, founded by Joseph Smith, to the transcendentalism of Ralph Waldo Emerson. While Harris’ ideas challenged traditional social conventions with notions of the duality of masculinity/femininity that existed in every human and contradictory views on sexuality and celibacy, he managed to convince hundreds of followers to leave their homes and join his promised second Garden of Eden, Fountaingrove, in Santa Rosa. Indeed, two of his most famous followers, Oliphant and Nagasawa, made transoceanic journeys to join him. Oliphant gave up a career as a British diplomat and Member of Parliament, and Nagasawa left a life as a samurai in Japan. Nagasawa’s tale is the book’s strongest contribution, as he was one of the first Japanese immigrants to land in the United States. His story and eventual leadership of Fountaingrove are an important chapter of early Japanese-American history. Though essentially a small community in Santa Rosa, Fountaingrove had an impact that extended from New York during the Second Great Awakening across the globe to England and Japan. Featuring black-and-white archival photographs, this rigorous volume should be of interest not just to Santa Rosa residents curious about Fountaingrove’s presence (and uniquely designed round barn that left its architectural stamp for nearly a century) in their city, but also readers intrigued by the new movements of the 19th century. While the authors occasionally overuse lengthy quotes from primary sources, the narrative remains engaging as it deftly explores the captivating figures who defined Fountaingrove.
A well-researched and accessible examination of Fountaingrove’s utopian society.Pub Date: N/A
ISBN: 978-0-692-17702-0
Page Count: 204
Publisher: Time Tunnel Media
Review Posted Online: Jan. 17, 2019
Kirkus Reviews Issue: March 1, 2019
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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