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MOSQUITO

A recent confrontation with police that ended in the suicide of Jones’s husband and her own hospitalization for what seemed a nervous breakdown understandably grabbed headlines. But the real news is that the author of the Corregidora (1975) and Eva’s Man (1976) is once again—in fact, since last year’s NBA-nominated The Healing—publishing vivid and challenging fiction grounded in African-American themes. Her latest is arguably both something more and something less than a novel, but it’s a fascinating story: the first-person narrative of black independent truck-driver Sojourner Nadine Jane Johnson (a.k.a. “Mosquito”). A native Kentuckian whose regular route runs through southern Texas, Nadine strikes up a friendship with the sisterly, mentoring Delgadina, a determinedly self-educated bartender-waitress, and gradually becomes involved with the “new underground railroad” transporting Mexican immigrants—and eventually with a radical activist with whose help she forms the worker-owned Mosquito Trucking Company. Nothing much more really happens in a “novel” composed of long, rich conversations and exchanges of letters, thanks to which Nadine reinvents herself while learning the histories of her own and other “second-class” culture struggles. It’s a discursive, free-form dramatization of the raising of a consciousness, including material derived from Buddhist doctrine, Native American “trickster” tales, Mexico’s colonial history, Shakespeare’s Othello, and numerous other transmogrified sources and influences. The book has its longueurs, but when Jones keeps throwing at you the adventures of Nadine’s childhood friend “Monkey Bread” as “personal assistant” to a Hollywood star, the “prophetic” and “mystical” writings of pseudonymous savant “Electra,” the militantly Pan-African “Daughters of Nzingha,” and much more (even a play written by the author’s mother), it’s hard not to be swept along by the sassy rhetorical momentum. Early on, Nadine imagines “a true jazz story, where the peoples that listen can just enter the story and start telling it theyselves while they’s reading.” Mosquito is such a story.

Pub Date: Jan. 25, 1999

ISBN: 0-8070-8346-1

Page Count: 736

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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