It is marvelous, in every sense, to have a new Gayl Jones novel to talk about.
A legendary African American novelist returns with her first novel in 22 years, an epic adventure of enchantment, enslavement, and the pursuit of knowledge in 17th-century Brazil.
Jones' compelling narrator is Almeyda, an enslaved girl who learned to read and write not just in Portuguese, but in English and other languages. This gives her a wide perspective on her surroundings that allows her more curiosity and sophistication than other Blacks in bondage and, for that matter, many of the Whites holding dominion over her. Whether it’s the imperious Father Tollinare, a White priest partly responsible for Almeyda’s education, or her grandmother Ituiba, who seems irrational to just about everybody except Almeyda, the people who populate Almeyda’s tumultuous coming-of-age are as rife with mystery and complexity as the surrounding landscape with its dense forests, treacherous terrain, and wildly diverse human outposts. As Almeyda is sold to different masters and different plantations, her circle of acquaintances widens to include more exotic European visitors (including an eccentric lexicographer helping Tollinare publish a new Portuguese dictionary and a British travel writer packing some of Jane Austen’s gimlet wit) and many more Black and native Brazilians, some enslaved, some free; some cursed with delusions, touched by genius, or linked to sorcery. She finds love and liberation with a charismatic Muslim named Martim Anninho, whom she marries and accompanies to the novel’s (real-life) eponymous refuge for fugitive slaves. The community is besieged and then destroyed by war, and Almeyda, separated in the chaos from Anninho, embarks on a long and perilous mission to locate a “New Palmares” and find her husband. As with the most ambitious and haunting of magical realist sagas, Jones’ novel recounts detail after detail with such fluidity that the reader is aware of time’s passage without knowing how many years have gone by. And by this novel’s end, you’re made aware that there is far more of Almeyda’s and Anninho’s saga to come. Those familiar with Corregidora (1975) and Eva’s Man (1976) will not be surprised by the sustained intensity of both imagery and tone. There is also sheer wonder, insightful compassion, and droll wit to be found among the book’s riches. Jones seems to have come through a life as tumultuous as her heroine’s with her storytelling gifts not only intact, but enhanced and enriching.
It is marvelous, in every sense, to have a new Gayl Jones novel to talk about.Pub Date: Sept. 14, 2021
ISBN: 978-0-8070-3349-4
Page Count: 504
Publisher: Beacon Press
Review Posted Online: Aug. 3, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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