Even when she dials down the intensity, Jones is capable of quiet astonishment.
A surprising, welcome gift from one of America’s finest and least predictable writers.
This chronicle of a Black GI’s return to the American South after World War II provides Jones with the occasion to kick back and gently unravel the story of Buddy Ray Guy, an erstwhile Army cook and tractor repairman, who’s on something of a quest to find the book’s eponymous “Unicorn Woman,” whom he first beholds, albeit from odd angles, at a carnival near his hometown of Lexington, Kentucky. Though he can see the “spiraled horn” protruding from the woman’s forehead, Buddy is just as astonished by the “slender, dimpled arms [that] were the color of my own” since he’s more used to finding “white freaks” at carny sideshows. From then on, the enigmatic woman stalks Buddy’s dreams as he makes his way from Kentucky to Memphis, trying to parlay the mechanical skills he picked up in the military into a full-time civilian living in a postwar America still tethered to racial segregation. When Buddy confesses his obsession with the spiral-horned woman to Esta, his sometime girlfriend, she chalks it up to Buddy’s wildly romantic imagination: “You are more of a freedom seeker…than a unicorn seeker, Buddy Ray,” she tells him. “I don’t know whether freedom seekers are ever truly satisfied.” Nevertheless, not even the vicissitudes of Jim Crow America can keep Buddy from following through on his dreams, whether they involve conversing with the elusive unicorn woman or figuring out how to make the best use of his craft. All the while, Jones weaves a captivating tapestry of African American life in the 1940s from Buddy’s dreams and the wide-ranging information he collects on his quest throughout the mid-South from friends and relatives. He keeps his eyes and ears open to all manner of input, whether it comes from fragments of an Amos ‘n’ Andy radio broadcast or from the folk wisdom he gathers at restaurants, homes, and places of worship. Most of all, it’s Buddy’s narrative voice—digressive, reflective, witty, and wise—that sustains one’s attention and affection throughout this warm, savory evocation of the elegiac, the fantastic, and the historic.
Even when she dials down the intensity, Jones is capable of quiet astonishment.Pub Date: Aug. 20, 2024
ISBN: 9780807030035
Page Count: 224
Publisher: Beacon Press
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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