Even when she dials down the intensity, Jones is capable of quiet astonishment.
A surprising, welcome gift from one of America’s finest and least predictable writers.
This chronicle of a Black GI’s return to the American South after World War II provides Jones with the occasion to kick back and gently unravel the story of Buddy Ray Guy, an erstwhile Army cook and tractor repairman, who’s on something of a quest to find the book’s eponymous “Unicorn Woman,” whom he first beholds, albeit from odd angles, at a carnival near his hometown of Lexington, Kentucky. Though he can see the “spiraled horn” protruding from the woman’s forehead, Buddy is just as astonished by the “slender, dimpled arms [that] were the color of my own” since he’s more used to finding “white freaks” at carny sideshows. From then on, the enigmatic woman stalks Buddy’s dreams as he makes his way from Kentucky to Memphis, trying to parlay the mechanical skills he picked up in the military into a full-time civilian living in a postwar America still tethered to racial segregation. When Buddy confesses his obsession with the spiral-horned woman to Esta, his sometime girlfriend, she chalks it up to Buddy’s wildly romantic imagination: “You are more of a freedom seeker…than a unicorn seeker, Buddy Ray,” she tells him. “I don’t know whether freedom seekers are ever truly satisfied.” Nevertheless, not even the vicissitudes of Jim Crow America can keep Buddy from following through on his dreams, whether they involve conversing with the elusive unicorn woman or figuring out how to make the best use of his craft. All the while, Jones weaves a captivating tapestry of African American life in the 1940s from Buddy’s dreams and the wide-ranging information he collects on his quest throughout the mid-South from friends and relatives. He keeps his eyes and ears open to all manner of input, whether it comes from fragments of an Amos ‘n’ Andy radio broadcast or from the folk wisdom he gathers at restaurants, homes, and places of worship. Most of all, it’s Buddy’s narrative voice—digressive, reflective, witty, and wise—that sustains one’s attention and affection throughout this warm, savory evocation of the elegiac, the fantastic, and the historic.
Even when she dials down the intensity, Jones is capable of quiet astonishment.Pub Date: Aug. 20, 2024
ISBN: 9780807030035
Page Count: 224
Publisher: Beacon Press
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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