It’s clear this book has a lot of love for the flag’s promise that “it’s okay to be your colorful, sparkly, glittery self,”...
A colorful tribute to Gilbert Baker and his rainbow flag.
Gilbert, “a little boy who was full of color and sparkle and glitter,” grew up “where everything was gray and dull and flat.” His grandmother’s clothing boutique supported his love for fashion, soon crushed by paternal disapproval. He could be “his colorful, sparkly, glittery self” only in San Francisco, moving there after his brief, disastrous military service. Surrounded by the city’s famed painted ladies, Gilbert rediscovers his passions, creating the rainbow flag after a conversation with Harvey Milk. The art is beautiful and bright, transitioning powerfully from a subdued Kansan landscape to a flamboyant Bay Area. Some textual shifts are jarring, as when Gilbert "received a letter that knocked every last bit of sparkle out of him” and is suddenly in uniform, with no explanation about the draft. Similarly, before the flag’s invention, “There was just one thing that continued to blemish their beautiful city. It was a symbol that, in Gilbert’s community, was a constant reminder of evil.” This confusing allusion to the pink triangle is explained only in the densely packed author’s note, and the word “gay” never appears in the story; readers must wait to learn about the rainbow’s direct connection to LGBTQ identities in the endnote.
It’s clear this book has a lot of love for the flag’s promise that “it’s okay to be your colorful, sparkly, glittery self,” but it elides a clear description of the communities it’s for. (Picture book/biography. 4-8)Pub Date: May 22, 2018
ISBN: 978-1-4338-2902-4
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: May 4, 2018
Kirkus Reviews Issue: May 15, 2018
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
