by Gayle Greene ‧ RELEASE DATE: Jan. 17, 2023
An edifying and inspiring argument for the imperishable value of a liberal education.
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Greene offers a spirited defense of a liberal education not reducible to quantitative assessments.
The author, a literary critic and professor emerita at Scripps College, observes that society has lost its faith in the power of liberal education, once understood as the surest path to the “cultivation of the human and the creation of a citizenry capable of democracy.” Greene notes that the institution was once cherished for training students in the responsible stewardship of one’s own freedom. However, the tide of opinion has turned against it in recent years, caricaturing it as feckless navel-gazing; now decision-makers want unambiguously measurable results, usually of the kind that point to economic progress. But quantitative rubrics are incapable of measuring the fundamentally ineffable—including the manifold benefits yielded by an education in the humanities and the magic of a professor’s personal interactions with their students.Instead of “accountability,” an anodyne bureaucratic word that “refers to something that can be calculated, measured, as in a tallying up, keeping score,” Greene prefers to prioritize “responsibility,” a term that implies responsiveness and engagement and suggests the obligations teachers and students have to each other and to themselves. Without such a perspective, those who join the workforce are missing the bigger picture, a point powerfully made by the author: “Checking off boxes gets you doctors who can read numbers on a screen but can’t hear what a patient is saying; architects who fail to imagine how a housing project affects a neighborhood; engineers who fail to ask how a dam affects the population downstream; software makers who have no idea if their program can be used by nonexperts.”
Greene furnishes the reader with a concrete example of the responsibility she prizes by discussing her teaching of Shakespeare (depicted in a “composite of many classes” the author taught over the course of 40 years at Scripps College). Greene convincingly demolishes the benighted obsession with formulaic teaching assessments and astutely limns the nature of the classroom experience, a “relationship, a crisscross of relationships, two-ways, multiple ways, fraught with the complexities that come with a relationship, times ten, times a thousand.” This is the principal virtue of the book: an aversion to approaches that lack nuance or depth; Greene admirably refuses to succumb to the currents of the time. Moreover, her defense of the humanities as a devotion to an endless fascination with all things human is as philosophically rigorous as it is affectingly impassioned. At the crux of that argument is the formidable figure of Shakespeare, the “heart of humanism.” Greene writes, “I came away feeling, that’s what we love about Shakespeare, he makes us feel good about being human. It was a feeling more than a thought, a flash more than a feeling. I don’t know how else to say it, just glad to be a part of it, humanity in all its silliness, splendor, squalor, sordidness, grandeur, outrageousness.” This is an important contribution to today’s education debates and a sterling example of the intellectual virtues it valorizes. An edifying and inspiring argument for the imperishable value of a liberal education.Pub Date: Jan. 17, 2023
ISBN: 9781421444604
Page Count: 384
Publisher: N/A
Review Posted Online: March 17, 2023
Review Program: Kirkus Indie
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by Gayle Greene
by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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