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THE INVISIBILITY CLOAK

The plot may be slight, but the author packs in wit, social commentary, and an emotional depth that will lift the reader's...

This slim comic novel, the first by acclaimed Chinese author Ge Fei to be translated into English, follows the travails of a likable loser trying to stay afloat—financially and emotionally—in contemporary Beijing.

Cui builds tube amplifiers for a living. In the mid-1990s, during a boom in serious music interest in Beijing, Cui did well enough to buy a two-bedroom apartment and marry his girlfriend, Yufen. Four years later Beijing’s interest in serious music has died out and Cui is struggling financially. Worse, his mother’s warning that Yufen was “a little too easy-come-easy-go” has proven prophetic: recently, around the time of his mother’s death, Yufen “sweetly” asked for a divorce because she’d become involved with a man from her office. Cui let her have the apartment while he kept a valuable set of Autograph speakers. He now lives in his older sister's apartment, but she and her husband, who moved into his mother’s house, want him out ASAP. Ge Fei’s depiction of Beijing life is cynical—from the pompous professor who insists Cui install only the best sound system but knows nothing about music; to Cui’s manipulative sister; to his friend Jiang Songping, a glad-handing factory owner who patronizingly gives Cui Tommy Hilfiger shirts and helps him “fish” for clients among his wealthy acquaintances in order to show off his “highbrow tastes”; to the general graft and corruption apparent in the author’s descriptions of recently built apartment complexes. And it would be easy for a cynic to consider Cui a sucker for helping Yufen’s new husband out of a jam or trusting a mobster’s promise to send his payment after Cui installs his most valuable sound system. But page by page, Cui lives by his own moral compass until readers find themselves rooting for this philosophical Everyman to overcome every setback Ge Fei throws his way.

The plot may be slight, but the author packs in wit, social commentary, and an emotional depth that will lift the reader's spirits like few recent books.

Pub Date: Oct. 11, 2016

ISBN: 978-1-68137-020-0

Page Count: 120

Publisher: New York Review Books

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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