paper 0-8165-1959-5 A slender but illuminating debut novel from Cherokee/Chickasaw poet and Oklahoma professor Hobson offers a sympathetic view of a Louisiana man who becomes the last of his kind, with the awful knowledge that no one will ever speak to him in his native tongue again. Looking back on his life from old age, the first years of the 20th century weren’t bad for Thomas Darko. Among other things, brothers and sisters, parents and grandparents all lived in what they called “Ofo Town,” with other, larger Indian groups as neighbors and relatives in good hunting and fishing country along the Mississippi. After dropping out of elementary school, Thomas even started to make a good living, first in the oilfields, then as a bootlegger. But as he prospered, his family, never huge, began to dwindle from a series of tragedies: One brother died in a New Jersey boot camp during the influenza epidemic of 1917, another in a knife fight, and his father’s spirit was crushed by the loss of his sons. Thomas’s reputation for first-rate moonshine during Prohibition extended to Texas and even Chicago, but the glory days ended in a raid in 1933 and he went off to jail. There, his high-maintenance wife Sally left him without a word, taking everything—and then the whole of his remaining family was killed when a freight train hit their truck. On his release he found years of solace in his whiskey, but by WWII, Thomas was sober and with the Marines in the Pacific, where he was his unit’s sole survivor in the assault on Japanese-held Tarawa. An empty time followed, until Smithsonian ethnographers asked him to record his language for posterity; that too proved a hollow endeavor, leaving the last of the Ofos to end his days alone. A compassionate sketch, and deceptively simple quiet study, that manages to put a human face on the sadly logical outcome of a national history of genocide.
Pub Date: Feb. 11, 2000
ISBN: 0-8165-1958-7
Page Count: 128
Publisher: Univ. of Arizona
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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