by Ged Adamson ; illustrated by Ged Adamson ‧ RELEASE DATE: Jan. 2, 2018
A sweet cautionary tale about a world that requires constant novelty that’s just a little evanescent itself.
Rainbows delight with vivid colors, magical evanescence, and unpredictable appearances.
When Ava sees a smiley-faced rainbow, she makes a wish: “If only you could stay forever.” In her drab, gray room, she dreams that the rainbow remains and awakens to a colorful, transformed town. Tourists invade, the rainbow’s image goes viral, and scholars lecture about rainbows. Despite great hardship during a cold winter, the colorful arc stays in place; but as time goes on, the townspeople ignore the rainbow’s beauty. They even make it an eyesore, a handy surface for posters, neon signs, and antennae. When people arrive to view a Russian water sparrow that’s just stopping over, Ava and the rainbow learn that it may be best for the rainbow to once again become “a rare and precious sight.” A castle at the rainbow’s end on the last double-page spread is the only hint that the book is set in England (Adamson’s home). Ava is white, but there are a few brown-skinned people among the mostly white townspeople and the visitors. Cartoonish, loosely drawn renderings of the people and the buildings contrast with the smoothly fluid rainbow, green fields, and sky in the pencil, watercolor, and Photoshop digital illustrations. Adamson pays homage to Maurice Sendak in a final image of Ava dressed as “Really Rosie” singing to her rainbow friend.
A sweet cautionary tale about a world that requires constant novelty that’s just a little evanescent itself. (Picture book. 4-7)Pub Date: Jan. 2, 2018
ISBN: 978-0-06-267080-9
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Heather Fox
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by Jonathan Stutzman ; illustrated by Elizabeth Lilly
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