by Geert De Kockere & illustrated by Carll Cneut ‧ RELEASE DATE: Aug. 1, 2011
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something...
In this fine, low-key parable, Willy the elephant sports all elephant particulars: floppy ears, stout legs, dinky tail, general bigness.
He is drawn by Cneut as if made from artful cement though maybe a little fragile, like an old fresco. “He had two huge ears that flapped in the wind. And in between was his head…” De Kockere’s text is artful, too, and gently, mildly eccentric: “He stood like a mast. That came in very handy when you needed someone to hold something—a clothesline full of laundry, for instance.” Willy is comfortable in his elephantness; he knows how best to deploy his ears and tail and trunk and size: “Sometimes he was called on to come and push with that enormous body of his. A child who didn’t want to go to school, or a car that stood in the way.” The other characters in the story are drawn in hot colors—reds, some yellows—on fields of white along with gray Willy and with the same strange, haunting delicacy. But it is the unexpected turn that De Kockere takes at the story’s end that is the showstopper. Suddenly we are all Willy, in one great inclusive hug; maybe we, too, have stout legs, ears that flap in the wind, general bigness or “a little something somewhere, with a ridiculous little brush at the end.”
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something good. (Picture book. 4-8)Pub Date: Aug. 1, 2011
ISBN: 978-0-8028-5395-0
Page Count: 32
Publisher: Eerdmans
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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BOOK REVIEW
by Geert De Kockere ; illustrated by Tineke Van Hemeldonck ; translated by Thomas Mertens
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
BOOK REVIEW
by Marilyn Sadler ; illustrated by Ard Hoyt
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