A nurturing sendoff into a dreamworld of playful wonderment.
See offers a bedtime story exploring the potential and reality of dreams in this picture book.
For the story’s grateful mother, the birth of her child is the brightest dream come true (“Your first hello made everything right”). In reverence of that, she extolls the virtue of dreams in a bedtime story meant to guide her baby into peaceful slumber. The mother encourages her child to go to the farthest reaches of her mind. Sometimes with mommy in tow and other times with a fuzzy white bunny that has tall, rocket-shaped ears, the small child (who, like her mother, has pale skin and dark hair) ventures out into various landscapes, exploring whatever might exist in each one. While urging her child not to be bound by worldly matters or naysayers, the mother warns of hurdles that are inevitable along the way, reminding the little one that she will always be there to support them and love them. See has rendered this bedtime story in poetic verses broken up into two or three quatrains that question and inspire; this is followed by a couplet that pulls the child back into the safety net of the mother’s warmth and belief in them. Javier’s chalky illustrations, in deep purples, night and sky blues, and luminous pinks, are speckled with twinkling stars and planets, all hazily softened to evoke a dreamscape primed for subconscious imaginative play.
Pub Date: June 12, 2024
ISBN: 9786210614275
Page Count: 24
Publisher: Self
Review Posted Online: July 5, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Review Program: Kirkus Indie
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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