A slice of American life carved out by a master of the form.
A captivating portrait of a day in the life of the United States by a much-honored Washington Post journalist.
Weingarten (The Fiddler on the Subway, 2010, etc.), the only two-time winner of the Pulitzer Prize for feature writing, notes at the beginning that only one of his previous books has “even approached commercial success.” His latest book is his most ambitious, with the author showing how much art a great journalist can wrest from a literary stunt with a theme as old as that of Thornton Wilder’s in Our Town: Each day is remarkable in its own way. He chose a date at random—Dec. 28, 1986—and then found people for whom its events indelibly stamped all the days that followed. He admits that “it was a stunt. But I like stunts, particularly if they can illuminate unexpected truths…although great matters make for strong narratives, power can also lurk in the latent and mundane.” Some of his entries give memorable glimpses of celebrities, among them New York City mayor Ed Koch, Grateful Dead frontman Jerry Garcia, and dooce website founder Heather Armstrong. But Weingarten offers equally vivid profiles of the less well known. They include Prentice Rasheed, a Miami shopkeeper who accidentally electrocuted a burglar with a homemade booby trap he’d installed to deter intruders; Brad Wilson, who walked away after his helicopter flipped over and crashed during a fishing trip in the Pacific Northwest; and Eva Baisey, a nursing student from Washington, D.C., who had implanted in her body the heart of a dead murderer and who improbably has become “one of the longest-living transplant patients on the planet.” One of the finest plain-prose stylists in American journalism, Weingarten tells his elegantly structured stories without sentimentality or melodrama, a virtue especially apparent in his story of two policemen who rushed into a flaming house in Falls City, Nebraska, hoping in vain to save a 2-year-old boy and 1-year-girl.
A slice of American life carved out by a master of the form.Pub Date: Oct. 22, 2019
ISBN: 978-0-399-16666-2
Page Count: 384
Publisher: Blue Rider Press
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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