by Gene Weingarten ‧ RELEASE DATE: July 6, 2010
Every page is a pleasure.
A sparkling collection of features by the Pulitzer Prize–winning Washington Post columnist.
For readers who come to Weingarten (Old Dogs: Are the Best Dogs, 2008, etc.) for humor, there are plenty of smiles and laughs scattered throughout the uniformly strong pieces assembled here. But the author is about more than grins and giggles. In even the slightest of the essays—seeing his daughter off to college, honoring the memory of his childhood baseball hero—his storytelling, keen observation and deft reporting startle and amaze. Whether profiling cartoonist Doonesbury cartoonist Garry Trudeau or The Great Zucchini, a little-known children’s entertainer whose messy personal life belies his talent for beguiling preschoolers, Weingarten reliably delivers the goods. He’s equally adept at exhuming quirky stories of the dead, including that of Leslie McFarlane, who as “Franklin W. Dixon” spent a good portion of his frustrated writing career churning out the Hardy Boys mystery series, Mary Hulbert, who died never disclosing the details of her intimate relationship with Woodrow Wilson; and William Jefferson Blythe, killed in a 1946 car crash, who left behind a pregnant wife whose son would grow up to be President Bill Clinton—neither he nor his mother ever knew about Blythe’s previous two marriages (to sisters!) or of the stepbrother one union produced. Weingarten shines especially when he sets himself a puzzle. Which among this country’s many worthy towns merits the distinction as “The Armpit of America?” What’s it like living daily with terror? Is what’s happening at the bedside of a brain-dead girl in Worcester, Mass., a miracle or a hustle? If you pick a place on the map and travel there, will you find a good story? So we journey with him to blighted Battle Mountain, Nev.; ponder communion wafers that allegedly contain blood and icons that weep oil; explore Savoonga, the Bering Sea island where the native Yupiks weather a teen-suicide epidemic; and watch world-class violinist Joshua Bell playing in a train station before thousands of mostly oblivious commuters.
Every page is a pleasure.Pub Date: July 6, 2010
ISBN: 978-1-4391-8159-1
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: May 1, 2010
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by Gene Weingarten ; illustrated by Eric Shansby
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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